A Quote by Pat Steir
An artist needs to become familiar with that which is most hidden from the self by the self. For this one thing which one fears to know is often the driving force in one's life. These recognitions seen in art are the difference between decent, extraordinary and great.
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No art is sunk in the self, but rather, in art the self becomes self-forgetful in order to meet the demands of the thing seen and the thing being made.
Art is an affirmation of life, a rebuttal of death. And here we blunder into paradox again, for during the creation of any form of art, art which affirms the value and the holiness of life, the artist must die. To serve a work of art, great or small, is to die, to die to self.
Art is a creative effort of which the wellsprings lie in the spirit, and which brings us at once the most intimate self of the artist and the secret concurrences which he has perceived in things by means of a vision or intuition all his own, and not to be expressed in ideas and in words-expressible only in the work of art.
I was an artist, but not a self-proclaimed great artist, just a common man who was working in a form of art which is universal.
Self-similarity is a dull subject because you are used to very familiar shapes. But that is not the case. Now many shapes which are self-similar again, the same seen from close by and far away, and which are far from being straight or plane or solid.
The habit of employing self-deception to maintain one's self esteem has often become so ingrained that the first step to developing accurate self-awareness is honest acknowledgment of the existence of hidden emotions, motives and tendencies in the mind without immediately suppressing them.
The idea of the self interests me a great deal. What is the self? And finding yourself, and which self? In a way, we're more than one self, but you somehow try to get to a rock bottom self.
...to be a poet, requires a mythology of the self. The self described is the poet self, to which the daily self (and others) are often ruthlessly sacrificed. The poet self is the real self, the other one is the carrier; and when the poet self dies, the person dies.
When you start to automate, you start to do the self-driving thing, you make it much more efficient. When these cars go into self-driving, you start to become a robotics company.
Exhibitions of minority art are often intended to make the minority itself more aware of its collective experience. Reinforcing the common memory of miseries and triumphs will, it is expected, strengthen the unity of the group and its determination to achieve a better future. But emphasizing shared experience as opposed to the artist's consciousness of self (which includes his personal and unshared experience of masterpieces) brings to the fore the tension in the individual artist between being an artist and being a minority artist.
Ethics doesn't require us to ignore our self-interests or demand a life of self-sacrifice. It requires that we know the difference between what we want and what we should do
Of all the judgments you make in life, none is as important as the one you make about yourself. The difference between low self-esteem and high self-esteem is the difference between passivity and action, between failure and success.
Circumstances which we have resented, situations which we have found desperately difficult, have all been the means in the hands of God of driving the nails into the self-life which so easily complains.
Realism sets itself at work to consider characters and events which are apparently the most ordinary and uninteresting, in order to extract from these their full value and true meaning. It would apprehend in all particulars the connection between the familiar and the extraordinary, and the seen and unseen of human nature.
Meditation is not a matter of trying to achieve ecstasy, spiritual bliss, or tranquillity, nor is it attempting to become a better person. It is simply the creation of a space in which we are able to expose and undo our neurotic games, our self-deceptions, our hidden fears and hopes.
If the denial of death is self-hatred, as it is to deny our freedom and live in fear of death (which is to say, to live in a form of bondage), then the acceptance and affirmation of death is indeed a form of self-love. But I'd want to make a distinction between a form of self-love which is essential to what it means to be human, and a narcissism of self-regard, like Rousseau's distinction between amour de soi and amour propre, self-love and pride.
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