A Quote by Pat Steir
To handle paint the way Pollock did, you need the muscularity of a ballet dancer.
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I actually was a ballet dancer - I studied ballet from three until 13 - but like very seriously, that's what I wanted to do. I wanted to be a contemporary ballet dancer. I wanted to go to Juilliard.
I've never danced professionally as a ballet dancer, but all of my training is ballet, and I am a Fosse dancer.
I originally wanted to be a ballet dancer and trained for years, but when I was around 18, I realized I wasn't going to be as good a ballet dancer as I'd hoped I'd be and decided to become an actress instead.
I wanted to be a dancer from when I was about nine or something like that and started ballet. I used to really like it and got into it and did it full time for a couple of years. I did a lot of ballet but I traded that in for acting when I was about 15.
I knew I wanted to be a ballet dancer, but what kind, I wasn't sure. My two dream companies had been New York City Ballet and American Ballet Theater.
I copied my brother. He was a natural dancer. Graceful. People always asked did we study ballet. We never did.
I think we're in an age where artists really have an incredible range of materials at their command now. They can use almost anything from household items - Jackson Pollock used house paint - to, you know, advanced computer systems, to good old oil paint and acrylic paint.
In the Royal Ballet Company, there was a Japanese principal dancer, and onstage and in ballet, they have colorblind castings - so I did see Asian dancers, and they were always my favorite. When you have someone who looks like you, it's something you can kind of grab onto, and it makes you feel better about your place in the world.
I was a ballet dancer. I did other kinds of dance but ballet was my great love. But then it became clear, when I was 12, that my body wasn't going to be right. That's always a heartbreaking moment because there's nothing you can do about that. Your body is just not right. You don't have enough turnout. You're not built properly.
I taught and studied dance in college, and for over a decade, I thought that would be my career: tap dancer, ballet dancer, modern dancer. I still find myself doing some tumbling or interpretive dancing in the grocery store every now and then.
I went away when I was 9 to a ballet school. I thought I wanted to be a dancer, but eight years of ballet cured me of that.
I wanted to be a ballet dancer. I was bad - I'm not very coordinated. But I always wished I could have been a dancer.
When I was 3 years old, my parents put me in ballet and I really thought I was gonna be a ballet dancer for a long time.
So I'm studying ballet every day and really training so people will see me as a ballet dancer, which no one's seen before.
How can you live the high life if you do not wear high heels? I don't understand why women wear these ballet pumps. They are only good if you walk like a ballet dancer, and only ballet dancers do that.
The life of a dancer is tragically short. What is remarkable about the New York City Ballet is that it makes us forget that. Because it keeps the ballet alive.
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