A Quote by Patricia Barber
I am a fan of the compositions of The Beatles, but I don't care for their interpretation of them. But as compositions, I just think that some of them are brilliant and have become standards.
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An evil fate has deprived me of the full use of my right hand, so that I am not able to play my compositions as I feel them. The trouble with my hand is that certain fingers have become so weak, probably through writing and playing too much at one time, that I can hardly use them.
I don't particularly fall in love with my own compositions, but some of them are decent.
It just annoyed me that people got so into the Beatles. "Beatles, Beatles, Beatles." It's not that I don't like talking about them. I've never stopped talking about them. It's "Beatles this, Beatles that, Beatles, Beatles, Beatles, Beatles." Then in the end, it's like "Oh, sod off with the Beatles," you know?
If we make mistakes in our first compositions and do not know them, we may not amend them.
The overscaled compositions being produced by so many abstract painters, which are full of movement and use of color, are ideal example, ideal transformations of an entire wall and entire room.... There is no denying that one of the major attractions of these successful large compositions is their structural decorative use in the contemporary scene... That these large canvases can be superbly decorative may not be considered complimentary by some of the artists involved.
You should neither play bad compositions, nor, unless compelled, listen to them.
I love the Beatles, but I don't listen to them at all regularly. Most of my friends are bigger Beatles fans than I am. I respect them, and I love them - 'Abbey Road' is probably one of my favorite albums, but I don't think I've ever listened to the 'White Album' the whole way through.
I said Revolver is my favorite The Beatles album, but only because it came to my head and it's a brilliant one. But they're all pretty brilliant. There's variations, but they're all brilliant, and it just depends on if they're very brilliant, or just a bit brilliant. It changes.
And I used to write novels and little stories and compositions and I - but I put them away because I started acting when I was 17. So there wasn't much time.
I've composed a fair amount in my life, and some of them have made it on to the screen, some compositions that I've done, a few. And I like doing that. I had never really considered doing a full-length thing. I've worked with other people creating full-length pieces.
All great musical composers have been connected, consciously or unconsciously, with this source of music-a fact that enabled them to become masters of their art. Their compositions contain specific messages brought through from high realms for the definite purpose of bettering world conditions and bestowing upon mankind greater illumination.
The sciences throw an inexpressible grace over our compositions, even where they are not immediately concerned; as their effects are discernible where we least expect to find them.
When I was a boy, my family took great care with our snapshots. We really planned them. We made compositions. We posed in front of expensive cars, homes, that werent ours. We borrowed dogs. Almost every family picture taken of us when I was young had a different borrowed dog in it.
Here's the thing: When you become brilliant at listening, people feel that you care about them. When they feel you care about them, they begin to care about you. And when people care about you, your success becomes a part of how they define their success.
I don't want to change. I don't ever want to be a stuck-up asshole. I mean, some people probably think I am now, but I don't care what they think, because I know I'm not. I'm a down to earth person. I always have time for my fans. I don't care who they are, what they look like, if they're rich or poor, pretty or ugly. I always have time for them. I wouldn't be where I am today if it wasn't for them, and I'll never forget that.
Freud believed that our dreams sometimes recapitulate a speech, a comment we've heard or something that we've read. I always had compositions in my dreams. They would be a joke, a piece of a novel, a witticism or a piece of dialogue from a play, and I would dream them. I would actually express them line by line in the dream. Sometimes after waking up I would remember a snatch or two and write them down. There's something in me that just wants to create dialogue.
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