A Quote by Patricia Briggs
But that was the trouble with ancient artifacts - no one really knew what they did.
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I think one of the things that we have to remember is that Egypt ancient history is so vast, and there are so many tombs and mummies that the field of Egyptology really is about the science and the work of conserving and preserving these artifacts.
I'm not an encyclopedia of ancient Egyptian history, but women did hold positions of status in ancient Egypt. Obviously, famously, people like Nefertiti and Cleopatra actually ruled, which we don't often think about women having a lot of agency in the ancient world, but in ancient Egypt, they did.
Oh, the truth, oh yeah, lot of trouble that got us into, didn't it, over the last maybe thousand years? Hitler knew the truth, so did Stalin, so did Mao Zedong, so did the Inquisition. They all knew the truth and that caused such horror. Certainty is the enemy.
Buildings for me represent opportunities of agency, transformation, and storytelling. They are not just artifacts. There is this big tradition of buildings-as-artifacts - constructed artifacts - but for me they are these incredible sites of negotiation.
It is one of those lessons that every child should learn: Don't play with fire, sharp objects, or ancient artifacts.
If you go back to the '80s, I didn't really know much about the characters. I knew what they did in the ring. I knew Hogan went off and spouted lots of crazy promos, and Ultimate Warrior did the same. They really were just characters.
He lifted the arm covering his eyes and turned his head to glare at her. "I knew you were trouble the first time I saw you."
"What do you mean, trouble?" She sat up, glaring back at him. "I am not trouble! I'm a very nice person except when I have to deal with jerks!"
"You're the worst kind of trouble," he snapped. "You're marrying trouble."
I did not know from a scientific perspective why I did not believe in evolution - but I knew from a Biblical perspective it had to be wrong or my faith was in trouble.
In archaeology, context is everything. Objects allow us to reconstruct the past. Taking artifacts from a temple or an ancient private house is like emptying out a time capsule.
When I was in high school in the early 1970s, we knew we were running out of oil; we knew that easy sources were being capped; we knew that diversifying would be much better; we knew that there were terrible dictators and horrible governments that we were enriching who hated us. We knew all that and we did really nothing.
Oh, a trouble's a ton, or a trouble's an ounce Or a trouble is what you make it, And it isn't the fact that you're hurt that counts, But only how did you take it.
The story, it's really important to The Ancient One that Doctor Strange does cut it because The Ancient One needs a successor, or certainly needs - you could say - a son. So The Ancient One is really invested in Doctor Strange, it's a very kind of primal relationship.
I personally have never trusted museums. ... It is because museums, broadly speaking, live off of the art and artifacts of others, often art and artifacts that have been obtained by dubious means. But they also manipulate whatever it is they present to the public; hence, until Judy Chicago, in the 1970s ... few women artists were hung in any major museum. Indian artists? Artifacts only, please. Black artists? Something musical, maybe? And so forth.
The critical thing about Western democracy is the fact that you usually have a transition of power without bloodshed. That is an enormous advantage. But still, democracy as we know it was only invented recently in the West, historical speaking. It did not really work in ancient Rome. It functioned for less than 200 years in ancient Athens.
Ancient art has a specific inner content. At one time, art possessed the same purpose that books do in our day, namely: to preserve and transmit knowledge. In olden days, people did not write books, they incorporated their knowledge into works of art. We would find a great many ideas in the works of ancient art passed down to us, if only we knew how to read them.
I suddenly started feeling that the magic of psychedelics wasn't in some other world or some other place, but that they put you in communication with other people. Most of the really heavy things that happened to me were when I was stoned with other people, - when it get all honest, when it got really high and all golden and beautiful and bright and white-colored under the power of truth, when you looked at them and saw true compassion, and you knew they really did love you, and you knew you really did love them.
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