A Quote by Patricia C. Wrede

Nothing you will object to," James replied in a soothing tone. I cannot think how he came to imagine that he would know what I might or might not object to. — © Patricia C. Wrede
Nothing you will object to," James replied in a soothing tone. I cannot think how he came to imagine that he would know what I might or might not object to.
They might object to some of my opinions, but they don't object to my behavior as a judge.
Nothing is more maddening than being questioned by the object of one's interest about the object of hers, should that object not be you.
The Christian will desire to see the beauty of God in his house, that his soul might be ravished in the excellency of the object, and that the highest powers of his soul, his understanding, will, and affections might be fully satisfied, that he might have full contentment.
Place an object within your view, hopefully at about eye level. You might have to look down a little bit. Some people have a meditation table on which they put an object of concentration on.
The regular division of the plane into congruent figures evoking an association in the observer with a familiar natural object is one of these hobbies or problems...I have embarked on this geometric problem again and again over the years, trying to throw light on different aspects each time. I cannot imagine what my life would be like if this problem had never occurred to me; one might say that I am head over heels in love with it, and I still don't know why.
A life is such a strange object, at one moment translucent, at another utterly opaque, an object I make with my own hands, an object imposed on me, an object for which the world provides the raw material and then steals it from me again, pulverized by events, scattered, broken, scored yet retaining its unity; how heavy it is and how inconsistent: this contradiction breeds many misunderstandings.
People don't object to spying on the grounds that the secret dossier about them might be full of errors. They object to spying because it's spying.
Usually my starting point is something that I've seen. It might be a painting, it might be an object. But they always start from a definite sensory experience.
We accepted this war for an object, a worthy object, and the war will end when that object is attained. Under God, I hope it never will until that time.
Fear, as opposed to anxiety, has a definite object, which can be faced, analyzed, attacked, endured... anxiety has no object, or rather, in a paradoxical phrase, its object is the negation of every object.
Go to the object. Leave your subjective preoccupation with yourself. Do not impose yourself on the object. Become one with the object. Plunge deep enough into the object to see something like a hidden glimmering there.
In other searchings it might be the object of the quest that brought satisfaction, or it might be something incidental that one got on the way; but in religion, desire was fulfilment, it was the seeking itself that rewarded.
A body - physical, astral, dead - might be treated as an object, might be adored and hated. So this story has emerged from the material that the body is.
I don’t know what to do,” Will said. “Mortmain has taken Tessa, and I believe now I know where she might be. There is a part of me that wants nothing more than to go after her. But I cannot leave Jem. I swore an oath. And what if he wakes in the night and finds I am not here?” He looked as lost as a child. “He will think I left him willingly, not caring that he was dying. He will not know. And yet if he could speak, would he not tell me to go after Tessa? Is that not what he would want?” Will dropped his face into his hands. “I cannot say, and it is tearing me in half.
Since a three-dimensional object casts a two-dimensional shadow, we should be able to imagine the unknown four-dimensional object whose shadow we are. I for my part am fascinated by the search for a one-dimensional object that casts no shadow at all.
I certainly don't object to [writers] trying to imagine the lives of other societies, but you have to do it with a certain amount of humility and respect. If it were not for the ethnographic material that had been collected by missionaries and anthropologists and so forth, much of past Native American society would no longer be accessible. What I object to is making kitsch of things that are very serious.
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