A Quote by Patricia Clarkson

I always try to approach character first and foremost viscerally. — © Patricia Clarkson
I always try to approach character first and foremost viscerally.
People are first and foremost Republicans, first and foremost Anarchists, first and foremost a man or woman, and that is a mistake. It hurts the individual and it hurts the whole.
[And on going from character to leading actor] I don't approach anything differently; I just approach it as a character. I'm always astounded at the fact that I've ever played a leading character in anything [Laughs]. And my wife concurs with that, frankly. She always thought I would be, at best, the wacky neighbor on a sitcom, so this is all just a surprise and a joy.
Coming from TV and film, rule number one is that you always service the main character first and foremost. If that's not working, you've got nothing.
Voices have always been my way into a character. I usually approach the voice first.
My approach is always the same. I try to be as honest as possible. Find the real honesty and humanity in the character because even a fictional character is supposed to feel real. And my job is to find that reality and bring it to the screen.
Bill Condon, I must say, may have been one of the best professional experiences of my life, collaborating with him. He, himself, is an Academy Award winning screenwriter. He is a storyteller first and foremost, so we speak the same language. We approach things always from the story.
Whether I'm writing the script, or someone else writes the initial draft, I'm always an actor's director first. I always try to listen to them a lot and try to put their voices into their character.
Whether I'm writing the script, or someone else writes the initial draft, I'm always an actor's director first. I always try to listen to them a lot, and try to put their voices into their character.
Before I even pick up a guitar, usually the words are done. So I'm not first and foremost a musician. I'm first and foremost a writer.
First and foremost, stepping into something like a Marvel project is insane. I mean, my character is from 1968, and she's the second female X-Men ever. It's exciting, but it's also a great amount of pressure to do right by the character.
I try to look at every role the same way, regardless of whether the character is real or the character is a fantasy. I always start from myself, because you have to know yourself first.
What any manager will try to bring to a company first and foremost is an energy and commitment to the business. To try and really roll your sleeves up.
I've approached every character I've ever played with a poem, first and foremost.
When I hire musicians, I look for that first: every time they sit down do they go for it, you know? And do they try to learn the music and try to get inside the song whatever the tune is? Whether it's my originals or someone else's, it's just whether or not they're gonna play their hearts out, first and foremost.
When I'm writing, I try to have the mask of my character on as I'm walking through the world. When I'm not at my desk, the rest of the time, I try to stay in that character and see the world the way that character would It's almost like method acting in a way — keeping the character close the way the actor keeps a script close and always tries to be in character.
As first and foremost a character actor, I've always resisted the temptation to cure any of the people I've played or make them lovable in any way; you've just got to celebrate them for what they are.
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