A Quote by Patricia Cornwell
The biggest risk with a series that goes on this long is that you'll get bored with the character.
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I'm taking probably the biggest risk of my career in playing the part in Filth. If you stop taking risks, then you get bored, or you just keep playing the same part, over and over again. Eventually audiences get bored of that, as well.
I can get bored with any show, when it goes on too long.
I get bored really easily. I get bored with people really easily. I get bored with routine easily. I don’t like things that are average, or normal. I care if I have the best – in the world about that - just wanting that great light that everybody looks at and goes ‘Ahhh’. I feel like that’s what I’ve found in my partner.
I don't want to play the same character again and again, because I'd get bored. If I get bored, so will the audience.
My main worry is that after a certain point you become so identified with a character and a series that you might not be able to get work when your show goes off the air.
I just didn't want to get bored playing a character, and that's kind of the benefit of doing films; you've lived with a character for four or five months and that's it, and you walk away from that character and you feel like you told a story.
I think that there's something really special about doing a series. You get inside the skin of that character 'cause it's such a long time.
Today I said to the calculus students, "I know, you're looking at this series and you don't see what I'm warning you about. You look and it and you think, 'I trust this series. I would take candy from this series. I would get in a car with this series.' But I'm going to warn you, this series is out to get you. Always remember: The harmonic series diverges. Never forget it."
You know, it's scary when you sign onto a pilot of a series because, as much as you want the series to go, you also want it to be a character that you'd be interested in playing for a long time.
I love doing a series because you get to see changes in a character and see her grow. It's a journey with change, and you don't get to see that long-term type of development with just a film.
A long-running TV series is a beast in that it demands you stick to one character over a long haul.
I was a wrestling fan long enough, and once in a while, I would get bored. I'd be on board with a superstar and love what he'd do. Then eventually, I would get bored with him. I don't want people to think that way of me, so I'm doing everything I can to make sure it doesn't happen.
Boredom is my worst enemy. It's killed a lot of my friends, but it won't get me. When I get bored, I go risk my life somewhere.
I’m bored’ is a useless thing to say. I mean, you live in a great, big, vast world that you’ve seen none percent of. Even the inside of your own mind is endless; it goes on forever, inwardly, do you understand? The fact that you’re alive is amazing, so you don’t get to say ‘I’m bored.
I get bored with unintelligent scripts. When I read the first page and I can tell what is going to happen, I know I don't want to make the film. It's two months work and I would get deeply bored. I would even prefer to do something that didn't work at the box-office, so long as it kept my interest alive.
We have this saying, and it's been very useful when a series, 'The Mindy Project' goes for longer than a hundred episodes, which is Mindy character can never get what she wants when she wants it. We enjoyed it because it felt very real to her character to make a big impulsive move and it seems like she has everything, this instant family, a guy she loves and then there's a moment of panic.
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