A Quote by Patricia Hampl

Writing about why you write is a funny business, like scratching what doesn't itch. Impulses are mysterious, and explaining them must be done with mirrors, like certain cunning slight-of-hand routines.
Writing is like a 'lust,' or like 'scratching when you itch.' Writing comes as a result of a very strong impulse, and when it does come, I, for one, must get it out.
Writing is like a 'lust,' or like 'scratching when you itch.' Writing comes as a result of a very strong impulse, and when it does come, I for one must get it out.
I would say if a man is going to write on chemistry, he learns chemistry. The same is true of Christianity. But to speak of the craft itself, I would not know how to advise a man how to write. It is a matter of talent and interest. I believe he must be strongly moved if he is to become a writer. Writing is like a 'lust,' or like 'scratching when you itch.' Writing comes as a result of a very strong impulse, and when it does come, I for one must get it out.
Business is never as healthy as when, like a chicken, it must do a certain amount of scratching for what it gets.
Business is never so healthy as when, like a chicken, it must do a certain amount of scratching around for what it gets.
I like playing guitar I don't like talking about it. I like writing riffs, I don't like explaining them.
I read about writers who have routines. They write at certain times of the day. I can't do that. I am always writing-but in my head.
When I decided to write about my brother and friends, I was attempting to answer the question why. Why did they all die like that? Why so many of them? Why so close together? Why were they all so young? Why, especially, in the kinds of places where we are from? Why would they all die back to back to back to back? I feel like I was writing my way towards an answer in the memoir.
The urge to write poetry is like having an itch. When the itch becomes annoying enough, you scratch it.
I just write and do what I think is funny. Sometimes, you do have it in your head about certain bits. There are certain jokes where I know if I did them in certain situations, it would irk people. There are times where I look at the news and see a story going on, and I'm like, 'Wow, if I tweeted this, I would get press if I wanted to.'
After my first novel, my mother said to me, 'Why don't you make your writing more funny? You're so funny in person.' Because my first novel was rather dark. And I don't know, but something about what she said was true. 'Yes, why don't I?' Maybe I was afraid to be funny in the writing. But since then, seven books later, almost everything I've done has a comedic edge to it.
Advice? Focus on the craft. Study the greats. Try and understand how and why they made the writing choices they did. Then, start by copying them...just as an exercise. See if you can do similar things. Learn how to write a song like so and so. Then, when you've done that, write a song like yourself. Learn to color within the lines before going outside them.
In the final exam in the Chaucer course we were asked why he used certain verbal devices, certain adjectives, why he had certain characters behave in certain ways. And I wrote, 'I don't think Chaucer had any idea why he did any of these things. That isn't the way people write.' I believe this as strongly now as I did then. Most of what is best in writing isn't done deliberately.
At a certain point, I got used to writing on demand. I developed a habit of writing like I hired myself! I also like to write about things that affect me emotionally.
Arguing with people is like reading your e-mail at 4 in the morning. There is absolutely no good that can come of it. It's just scratching an itch.
The way the business things work in Russia is you have to meet people, you have to go through a certain amount of etiquette and business things are done just simply by a shake of the hand and whether they like you or not.
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