A Quote by Patricia Heaton
I just have always felt that I think we know that it's an ensemble show, and it's very hard to pick a show to submit when you're nominated, because usually everyone has a very strong part in every episode.
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I think it's really hard to say now what makes a show kind of sink or swim, and what creates longevity. For instance, I think that Survivor is a very well produced show. It's very simple, it's very elemental, and I think it gets into big issues. I think American Idol has been an amazing show for many, many seasons.
I love every aspect of the show. I've been very involved. It was important for me to be very involved in, you know, all of the creative elements. And so, you know, it - David, you know, being brought onto the show, you know, that - I always just wanted to make sure that we maintained the sophistication and intelligence of (the) - and the comedy that we were able to establish in the mini-series.
I've been nominated twice before as actor in a leading part. Now I'm nominated as actor in a supporting part. If I don't win, I'll just wait until I'm nominated for being in the theater during the show. Do they have one like that?
I did an episode on the TV show 'Awake,' and I thought, 'Wow, that's really hard.' To do that so fast and to do that, if it's very successful, for nine months out of the year, for a bunch of good years, that's challenging. But, it was interesting. It's a good show. You'd have to have a very good character, I guess.
When we came to the network, it was a very interesting time where Portlandia had just come on the air and had been very, very successful. I think people had Portlandia-sized expectations for Comedy Bang! Bang!, especially after the first episode was sampled by quite a large number of people. I remember getting the ratings after the first episode, and the network was over the moon about it. And then the second episode tanked so hard. Like, no one watched it. It was a resounding, "Hey, a bunch of people tried your show, and they all hate it!"
I have never had a shortage of ideas for shows. I always just do them and the gallerists don't - they stopped long ago trying to tell me what I should show in their gallery. They just don't even do it. I show whatever I want to show. They are very happy and as far as I know, they have always been very pleased with whatever I have shown, even if it is nothing to sell.
My only hesitation after 'Law & Order' was that I didn't want to be in a super dry procedural like that. I found that satisfying, but very tough because every episode was kind of the same. It just is with that show.
My only hesitation after Law & Order was that I didn't want to be in a super dry procedural like that. I found that satisfying, but very tough because every episode was kind of the same. It just is with that show.
I honestly feel like we never had a bad episode by TV standards. Every week I felt there were so many strong components of the show, especially the writing.
I think that if you just kind of try to throw together a sketch show, but you don't have any real vision for what you want to do with the sketch, I don't think your chances are very good. You know, "Let's just have a sketch show!" You have to do something different with it; you have to reinvent that form every so often.
I just finished an episode of a new show called 'Century City.' It's like 'Law & Order' set in the future, and I have a very dramatic role in that. I have to sob and weep and wail. It was very hard. When it was done, I was like, 'OK, time to watch 'SpongeBob!'
We had very, very, very little money to make the show [ Gigi Does It]. We shot every episode in two days. It was non-WGA, non-DGA, so we couldn't write anything. The whole thing had to be improv.
You know what I think the guy who reviewed the live show for Pitchfork suffers from? Shy/asshole confusion. I'm not an asshole. I don't think I have to prove that to anyone, but I'm just putting that out there. I just think people should know that I'm not trying too hard. I think some people are just bitter that they ended up reviewing the show rather than playing the show, perhaps.
I have modes, mental modes that I get in, and when I'm on the road, I focus very much on doing the work. On playing the show, on being good every night. And part of me just gets switched off. The part that's very private and very personal and very intimate. That especially, that part of me gets shut off.
I always meditate before every show. I say a prayer with my crew and my band to get in the mode, and I also stretch because it's a very athletic show. We've got to entertain; it's what we do.
'Rangrasiya' was a very special show for me. It played a very important part in shaping up my career. I feel it was a premature end to the show. My character Rudra was very close to my heart.
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