A Quote by Patricia McConnell

I couldn't stand living in a society that admires the emperor's new clothes, when I see so clearly that he is naked. — © Patricia McConnell
I couldn't stand living in a society that admires the emperor's new clothes, when I see so clearly that he is naked.
The emperor is naked!" The parade stopped. The emperor paused. A hush fell over the crowd, until one quick-thinking peasant shouted: "No, he isn't. The emperor is merely endorsing a clothing-optional lifestyle!
Both in verse and in prose [Karl] Shapiro loves, partly out of indignation and partly out of sheer mischievousness, to tell the naked truths or half-truths or quarter-truths that will make anybody's hair stand on end; he is always crying: "But he hasn't any clothes on!" about an emperor who is half the time surprisingly well-dressed.
No woman so naked as one you can see to be naked underneath her clothes.
I get the feeling that people from outside the world of contemporary art see it as deserving of mockery, in an emperor's-new-clothes sort of way. I think that's not right and that it's just because they don't understand the discourse.
In Bernie Sanders, I see a man saying that the emperor has no clothes while everyone around him insists they see clothes. Whether or not he makes it to the White House, I hope and pray that everyone hears the alarm he is sounding now; it may be the last voice we ever hear.
When I come home I actually take off all my clothes, and I wear no clothes until I leave. I eat naked. I do everything completely naked.
The New York Times' coverage of Trump's taxes is an emperor-has-no-clothes moment.
It has always been the prerogative of children and half-wits to point out that the emperor has no clothes. But the half-wit remains a half-wit, and the emperor remains an emperor.
Clothes make the man. Naked people have little or no influence on society.
If you cannot bear these stories then the society is unbearable. Who am I to remove the clothes of this society, which itself is naked. I don't even try to cover it, because it is not my job, that's the job of dressmakers.
In our own times, you see, an emperor came to the city of Rome, where there's the temple of an emperor, where there's a fisherman's tomb. And so that pious and Christian emperor, wishing to beg for health, for salvation from the Lord, did not proceed to the temple of a proud emperor, but to the tomb of a fisherman, where he could imitate that fisherman in humility, so that he, being thus approached, might then obtain something from the Lord, which a haughty emperor would be quite unable to earn.
I get the feeling that people from outside the world of contemporary art see it as deserving of mockery, in an emperor's-new-clothes sort of way. I think that's not right and that it's just because they don't understand the discourse. The art world is filled with vibrancy.
You are not naked when you take off your clothes. You still wear your religious assumptions, your prejudices, your fears, your illusions, your delusions. When you shed the cultural operating system, then essentially you stand naked before the inspection of your own psyche.
I always like to reveal the fact that the emperor has no clothes. And children are best at that. They teach us how to see the world in that sense. They are without artifice; they see it for what it is. I am drawn to that ruthless honesty.
All the people I talk to, increasingly, can see that the emperor has got no clothes. The case for leaving [the EU] is now overwhelming.
The actress they'd hired had refused to appear naked in front of the camera. I didn't like to appear naked either, but the first thing I did was take off my clothes and jump into the pool completely naked.
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