A Quote by Patricia McCormick
A man who doles out sweets, and slaps, with the same hand.
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The amazing thing about Sweets [Edison] was that he exactly spoke the way that he played! He was really unique, the one and only. He was one of the greatest Blues players that I ever heard and played with. Nobody can play like Sweets man, nobody! Most of us, musicians, frequently quote Sweets' phrases in our solos. Like Lester Young, Sweets had a big influence on us musicians, especially when we play some Blues.
I don’t know if it is all (man’s fault) but the majority is, for the most part, it is man who continuously slaps down nature.
You know that scene at the beginning (of 'Pirate Radio') where I take The Count a cup of tea in the studio, and he shakes my hand, gives me a hug, and slaps me on the arse? That's genuinely the first time Tom Sturridge met Philip Seymour Hoffman. Literally, I'd hadn't seen him or exchanged words with him before. Richard just called me on set and said, 'Take him a cup of tea.' So that's what I did. And the smile of delight as he slaps me on the arse is purely mine.
Others, again, give us the mere carcass of another man’s thoughts, but deprived of all their life and spirit, and this is to add murder to robbery. I have somewhere seen it observed, that we should make the same use of a book, as a bee does of a flower; she steals sweets from it, but does not injure it; and those sweets she herself improves and concocts into honey. But most plagiarists, like the drone, have neither taste to select, nor industry to acquire, nor skill to improve, but impudently pilfer the honey ready prepared from the hive.
I sing the sweets I know, the charms I feel, my morning incense, and my evening meal, the sweets of hasty pudding.
[T]here is a vast difference in the attitude of a man with a gun in his hand and that of one without a gun in his hand. When a man does not have a gun in his hand, or a woman for the matter, he or she tries harder to use his or her mind, sense of compassion, and intelligence to work out a solution.
The way to judge a good hand is that the fingers are the same size at the tip as where they come out of the hand itself.
The foot that is familiar with the grass belongs usually to a man of lighter heart than he whose soles seldom wander from the pavement; and the best elixir vitæ is a run, as often as we can contrive it, amid the sweets of new and lovely scenery, where nature sits, fresh from the hand of the Creator, almost chiding us for our delay.
The man with a host of friends who slaps on the back everybody he meets is regarded as the friend of nobody.
On the one hand, man is a body, in the same way that this may be said of every other animal organism. On the other hand, man has a body. That is, man experiences himself as an entity that is not identical with his body, but that, on the contrary, has that body at its disposal. In other words, man's experience of himself always hovers in a balance between being and having a body, a balance that must be redressed again and again.
The beauty of the person of Christ, as represented in the Scripture, consists in things invisible unto the eyes of flesh. They are such as no hand of man can represent or shadow. It is the eye of faith alone that can see this King in his beauty. What else can contemplate on the untreated glories of his divine nature? Can the hand of man represent the union of his natures in the same person, wherein he is peculiarly amiable? What eye can discern the mutual communications of the properties of his different natures in the same person?
Presents can make up for some of the disappointments that life doles out, such as it makes almost no sense and is coming to an end more quickly than ever.
There's a man in the world who is never turned down, whatever he chances to stray; he gets the glad hand in the populous town, or out where the farmers makes hay; he's greeted with pleasure on deserts of sand, and deep in the aisles of the woods; wherever he goes there's a welcoming hand-he's the man who delivers the goods.
[Sweets Edison] was one of the greatest stylists in Jazz of all time. And on top of that, when you listen to him, you say 'yes, that's Sweets' and you automatically smile. This is really unique. He changed the way how to play this instrument.
What you hold in your hand is proof of man's power - against which our strength means nothing. It has the force of 100 spears. I warn you, man's ingenuity goes hand-in-hand with their cruelty. No creature is as devious or violent.
I've had quite a lot of bad experiences with Japanese sweets. I reckon, Japanese...they can do most things really well but sweets, they're a bit dodgy.
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