A Quote by Patricia Moyes

The buildings ... had suffered the inevitable shrinkage of places revisited. — © Patricia Moyes
The buildings ... had suffered the inevitable shrinkage of places revisited.
It is not possible to make great buildings, or great towns, beautiful places, places where you feel yourself, places where you feel alive, except by following this way. And, as you will see, this way will lead anyone who looks for it to buildings which are themselves as ancient in their form, as the trees and hills, and as our faces are.
By 27, Bob Dylan had already written 'Highway 61 Revisited,' the Beatles had released 'Rubber Soul,' Bruce Springsteen had recorded 'Born to Run' and U2 had delivered 'The Joshua Tree.'
It was a lack of system that made the '30s Depression as inevitable as all others previously suffered.
I revisited some music that I had written for Miles Devis. I used to work with Miles in the '80s. We did an album - "Tutu," that was really successful for Miles, and a couple of years ago we did "Tutu Revisited," and this is where we played the music from "Tutu." But I knew Miles would absolutely hate it if we just got on the stage and played the music the same way we did it in the '80s.
I have suffered from being misunderstood, but I would have suffered a hell of a lot more if I had been understood.
My mom used to take me down to the Jersey Shore when I was 7, 8, 9 years old. I can remember being down in that area - Belmar, Seaside Heights, Asbury Park and all those places that I went back and revisited.
Building places that are worth living in and worth caring about require a certain attention to detail, and of a particular kind of detail that we have forgotten how to design and assemble. And that involves the relationship of the buildings to each other, the relationship of the buildings to the public space, which in America, comes mostly in the form of the street. Because it's only the exceptional places in America that have the village square or the New England green. You know. The street is mostly the public realm of America. And we have to design these things so that they reward us.
By analyzing data from Greenwich Observatory in the period 1836-1953, John A. Eddy [Harvard-Smithsonian Center for Astrophysics and High Altitude Observatory in Boulder] and Aram A. Boornazian [mathematician with S. Ross and Co. in Boston] have found evidence that the sun has been contracting about 0.1% per century during that time, corresponding to a shrinkage rate of about 5 feet per hour. And digging deep into historical records, Eddy has found 400-year-old eclipse observations that are consistent with such a shrinkage.
There was a time in our past when one could walk down any street and be surrounded by harmonious buildings. Such a street wasn't perfect, it wasn't necessarily even pretty, but it was alive. The old buildings smiled, while our new buildings are faceless. The old buildings sang, while the buildings of our age have no music in them.
Modern buildings of our time are so huge that one must group them. Often the space between these buildings is as important as the buildings themselves.
It is good for a person who has suffered from acute shyness, as I had, to find that he can cause as much upset as he suffered. Better to be a brute, I thought, than to be a wallflower.
I am tired of hiding and I am tired of lying by omission. I suffered for years because I was scared to be out. My spirit suffered, my mental health suffered and my relationships suffered. And I'm standing here today, with all of you, on the other side of that pain.
My own zigzag path through life led me back to Santa Cruz in the early Eighties, and I have revisited regularly since. The place hasn't changed: head in the clouds, backside on the hills and feet in the ocean - one of the most decent and beautiful places on earth.
If life were fair, we would never have suffered what we suffered at all; having suffered it and survived, we're still reacting to things that don't exist anymore.
In this tour around the world I was not interested in contemporary buildings because I had seen contemporary buildings actually until they came out of my ears in a sense.
History is full of times when the inevitable front-runner is inevitable right up until he or she is no longer inevitable.
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