A Quote by Patricia Piccinini
The studio keeps notes on the details of editions and production processes and the like.
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I’ll write down little lines, I always say, 'K.T.N.,' and I say that to my receivers and running backs and that means 'keep taking notes.' That keeps me alert. That keeps me going. That keeps my drive there, even when you’re taking notes on something that you’ve already taken notes on a million times - keep taking notes.
Relations of production are first reproduced by the materiality of the processes of production and circulation. But it should not be forgotten that ideological relations are immediately present in these same processes.
I'm constantly looking for new things to do whether that's in the studio, trying to keep production fresh, or it's going out on the road. It's not the best for business. My team sometimes wants to beat me. But that's what keeps it fresh and keeps me inspired.
Sometimes I'll open my voice to sing and I'll think, "I hope I hit the right notes." I do music for a living and I still feel like that, but it's good because it keeps me humble, it keeps my feet grounded, it keeps me trusting in God.
Remonetisation has happened at a fast pace, and that was part of the plan that, subsequent to the withdrawal of the specified bank notes, our production plans and supply processes would ensure that the remonetisation happened as quickly as possible.
I feel like the great filmmakers who have a true voice, yeah they take the notes, they understand the notes, but it's really about the notes underneath the notes. When you do a test screening and somebody says, 'Well, I didn't like the love story,' but it was probably just too long.
You get notes from two studios and a network instead of a studio and a network. Although we early on forced them all to do their notes together. I make them all talk to each other first. Because we went through the pains of getting notes from ABC and at the time it was Touchstone, that were opposite - and then CBS notes that were opposite again. So it was, you guys are going to have to work it out as to what is the most important note.
I'm not any happier anywhere than when I'm in the studio. I'm over the moon about it. It keeps me young, it keeps me feeling like I have some purpose.
You have to have all these elements of a feature but with a third of the length. And also the development process - there are so many more steps in getting notes from the studio, getting notes from the network.
In my early teens, I knew I wanted to do television production. I loved cameras, editing and producing, anything that had to do with television production. My friend had a production studio across town, and we'd go over there at night and shoot and edit. I produced my father's televised service for 17 years.
I take a lot of notes. Maybe it's a product of me taking so many notes, but I have a pretty good memory for episodes, and some of the other actors will ask me questions about things, so I have this sense of responsibility that I have to be the one to remember some of the details.
I've never went into the studio looking for a certain direction for my next production. I make music that I enjoy and whatever flows in my head when I'm in the studio is how the track is going to turn out.
Obviously, I don't make an entire edition all at once, so the studio often goes back to produce editions, but that's a bit different. I guess I'm always thinking about the next work.
I am not collecting copies of the cheaper editions of Omar Khayyám. I gave the last four that I received to the lift-boy, and I like to think of him reading them, with FitzGerald's notes, to his aged mother. Lift-boys always have aged mothers; shows such nice feeling on their part, I think.
I am a sad person. In this world there are people who like major notes and minor notes. I like minor notes.
it may be said that children are but newly-issued editions of old compositions, re-bound and corrected, with fresh introductions, modern print and headpieces, but the text is that of former editions handed down from generation to generation.
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