A Quote by Patricia Piccinini
We always use resin instead of polyurethane, even though it takes more work and is in places where it can't be seen, because resin tends to be more UV stable than urethane.
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The taste for resin can be aquired, but there is no need to aquire it
No one believed me when I said it was possible to put fabric in resin.
Soul one might say is more imperfectly infinite than spirit, because soul tends to abolish the ego-consciousness that it absorbs or overwhelms, reducing its particularizing structure to pure sublime feeling (immediacy); but spirit is more successfully infinite than soul, even though also more difficult and abstruse, because it digests the functions of consciousness into itself and thus preserves and deploys the senses and intelligence of conscious ego to higher ends.
I like kind of natural, woodsy earth tones. I like patchouli. I like tobacco. I like sandalwood. I like tree resin. I'm not a huge fan of citrus - I like things that are kind of moodier and... more deeper base notes.
The leaves of these [larch] trees are like those of the pine; timber from them comes in long lengths, is as easily wrought in joiner's work as is the clearwood of fir, and contains a liquid resin, of the color of Attic honey, which is good for consumptives.
Every country has rich people. But only a few places have achieved a vibrant and stable middle class. And in the history of the world, none has been more vibrant and more stable than the American middle class.
Coming back to America was, for me, much more of a culture shock than going to India. The people in the Indian countryside don't use their intellect like we do, they use their intuition instead, and their intuition is far more developed than in the rest of the world. Intuition is a very powerful thing, more powerful than intellect in my opinion. That's had a big impact on my work.
You know what I love best about baseball? The pine tar, the resin, the grass, the dirt - and that's just in the hot-dogs.
I always like junkyards. All this metal piled up - they're filled with pathos, those places. Much more pathos than most of the music I've heard. You look at it, and there's more feeling, even though it's depressing, than there is in a lot of music I hear these days. A junkyard is what it is, whereas listening to a record by, say, Styx, is something else.
Freshly cut Christmas trees smelling of stars and snow and pine resin - inhale deeply and fill your soul with wintry night.
Unless we understand a certain material - metal or resin and plastic - understanding the processes that turn it from ore, for example - we can never develop and define form that's appropriate.
Selfishness of the stable or rigid sort is as a rule more bitterly resented than the more fickle variety, chiefly, no doubt, because, having more continuity and purpose, it is more formidable.
A painted landscape is always more beautiful than a real one, because there's more there. Everything is more sensual, and one takes refuge in its beauty.
There's a lot that I watch over and over. But I have to say, because of my line of work as a horror-movie hostess, I've probably seen Night Of The Living Dead more than any movie. I've probably seen it more than George A. Romero.
I hate it when people don't recognize the work of women as being universal, or having any import to the world at large, as opposed to men's work, which is generally tends to be seen as more universal - men's writing about their own experience tends to be put in a broader context.
I use men's skis because, honestly, they work better for me. They're longer, they're stiffer, they're harder to turn - but at the same time, they're much more stable.
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