A Quote by Patricia Piccinini
We tend to be talking to fabricators in the film and special effects or automotive customisation worlds. That having been said, I'm sure as more and more artists come to use these sorts of media, the expertise amongst conservators is going to keep pace with that.
Related Quotes
One of the problems with industrialism is that it's based on the premise of more and more. It has to keep expanding to keep going. More and more television sets. More and more cars. More and more steel, and more and more pollution. We don't question whether we need any more or what we'll do with them. We just have to keep on making more and more if we are to keep going. Sooner or later it's going to collapse. ... Look what we have done already with the principle of more and more when it comes to nuclear weapons.
I try to express in my films things that no other art can approach. In my monster films for example, I use special effects in the same way one would use a special film stock, a special camera, and so on. Monster films permit me to use all of these elements at the same time. They are the most visual kind of film.
It is often said that having gone through any kind of suffering tends to makes you appreciate life more and live more in the present. I'm not sure how universal or long-lasting these effects really are.
I started having some memory-loss issues. I took a neurological exam, and they said, "Well, you should stop fighting now." And I kept begging them for one more fight, one more fight, and the doctor said to me, "How much are they going to pay you?" I was supposed to fight three more times, and one would have been for a cruiser belt. So I said, "I just need to fight three more times." He said, "Listen, you can't even get hit in the head one more time, your neuro is so bad."
We've done a couple of women's mags, but we tend to talk about feminism and women in the industry, which I feel more comfortable talking about. It's a more valuable discussion than, 'Oh, you're a girl in a band. What hair conditioner do you use?' I use hair conditioner, and I like talking about it. But I don't want that to be the question.
I want to keep going as I have, to travel, read, perform, write, and enjoy my family. I've promised myself only this: no more Laundromats, no more two-shows-a-night, and no more deadlines. I'll work at my own pace.
The Singapore Media Festival brings together the most important Film and TV events in Singapore under one umbrella. With media convergence, I foresee that the SMF will encompass even more content formats in future, and will keep Singapore on the cutting-edge of media development. I am confident the SMF will be a signature media event for Singapore and the world for many years to come.
The more I write, the more I've come to realize that books have a different place in our society than other media. Books are different from television or film because they ask you to finish the project. You have to be actively engaged to read a book. It's more like a blueprint. What it really is, is an opportunity... A book is a place where you're forced to use your imagination. I find it disappointing that you're not being asked to imagine more.
Having more does not keep you from wanting more. And if you always want more - to be richer, more beautiful, more well known - you are missing the bigger picture, and I can tell you from experience, happiness will never come
Special effects are becoming more and more affordable and looking more and more like the real thing.
Once you envision something and the Universal forces come into play to help you in the creation of it, there's never again going to be enough action for you to keep up with it. You can't use the Energy that creates worlds to create a situation and then find the action to keep up with it. You have to keep envisioning. You have to keep imagining it better.
I think some of the special effects in Close Encounters hold up better than the new more expensive special effects is because they were better actually.
Maintaining news cycle is the job. It's always been the job. This is just more intense. You find out what the story is, you use the tools you have to get clear on it, you bring the knowledge that you've built up over the past however long. Part of the trick is just having people who know what they're doing. In terms of the pace, yeah, it's exhausting. I feel for all of us in the media, and in the White House and in the country. I mean, this is not a fun time.
Thanks to art, instead of seeing one world only, our own, we see that world multiply itself and we have at our disposal as many worlds as there are original artists, worlds more different one from the other than those which revolve in infinite space, worlds which, centuries after the extinction of the fire from which their light first emanated, whether it is called Rembrandt or Vermeer, send us still each one its special radiance.
The more we learn about new communications, the more capacity we need, and that is going to keep going on forever. That's been happening since radio was invented, and that's going to keep going.
I don't use film cameras. I don't do visual effects the same way. We don't use miniature models; it's all CG now, creating worlds in CG. It's a completely different toolset. But the rules of storytelling are the same.
Related Authors
Ai Weiwei Quotes
Chinese
Artist
Andy Warhol Quotes
American
Artist
Claude Monet Quotes
French
Artist
David Hockney Quotes
English
Artist
Gerhard Richter Quotes
German
Artist
Henri Matisse Quotes
French
Artist
Kehinde Wiley Quotes
American
Artist
Leonardo da Vinci Quotes
Italian
Artist
Marcel Duchamp Quotes
French
Artist
Marina Abramovic Quotes
Serbian
Artist
Maurice Sendak Quotes
American
Artist
Michelangelo Quotes
Italian
Artist
Paul Cezanne Quotes
French
Artist
Robert Genn Quotes
Canadian
Artist
Robert Henri Quotes
American
Artist
Yoko Ono Quotes
American
Artist