A Quote by Patricia Piccinini

I finished VCA at the height of the last big recession in the early 90s, and seeing that I was not going to be able to join one of the dwindling number of commercial galleries, I started an ARI called the Basement Project which ran for three years. Things came a little at a time and all of a sudden it's 20 years later and I'm still making art, which is really all I ever wanted to do.
I started making movies in the early '90s, a few years after I discovered 'the cinema' during a three month stay in Paris during which I watched 100s of films.
Years ago, I came out with a Christmas album called 'Tinsel Time'. It was just a pet project for me, but it ended up going to number one on Amazon!
It's really interesting making films and actually seeing the life that they have in the subsequent years and seeing which ones stand up over time and which ones sort of fade away.
I've started a project called Planet Art. The purpose will be to remind people where I really believe we came from, which was a creative planet, and that everybody can be autonomous through their art.
There are certain records from the 80s and early 90s that you love because the songs are great, but you don't go to them as an example of great production. Over the last 20 years, myself and a lot of other musicians my age have tried to discover things in 50s, 60s, and 70s recording techniques that were lost or discarded. We've all been trying to crack this code. It's been an important period in the last 15 years, reclaiming some of those lost approaches to making records.
I got to fight the greatest-of-all-time in my weight division - not once but twice. I was watching this guy when I was 16 years old when I first started kickboxing. I wanted to fight Aldo in a kickboxing match. A couple years later, I came to MMA and wanted to fight him. 10 years later, I got to fight the man twice.
There aren't that many galleries in Havana. There are a few state galleries and an ever-increasing but still limited number of independent galleries; there's no comparison with the number in New York.
I'm more critical of my songwriting than anybody, but I've worked really hard in the last five to 10 years to improve. I didn't take it all that seriously when I started. It was a little bit of a stigma to being a songwriter or a folkie back then. I did a lot of send-ups of sensitive singer-songwriter stuff when I was starting out, which limited my development as a songwriter in a way. I wasn't really fully given license to explore that until the mid-90s. I'm still working on it; I'm a little bit of a late bloomer.
The things that we're going to be able to do are going to take many, many years to achieve our end goal, which is to really lower costs in the industry by working with our interests better aligned with the teams, that's number one, which will affect their values going forward.
I wanted to be the best in the world and at 12 years-old I won my first big amateur contest called The Gold Cup Series Contest at Marina Del Ray Skatepark. That's when I really started to believe I could turn pro, though it wasn't until two years later when I was 14 that I actually did with Sims.
Now there is a big turnover in the galleries. The top galleries are getting better all the time. A lot of galleries just struggle along, then a new one comes along. There are certainly a great number of galleries. I think this argues well for the art but there are, of course, a lot of "phonies" in all the arts.
You can just start shooting things and see how it goes. But time is still money, so you have to know when you are finished. It's not like painting a picture which you could go on refining for 20 years - with a film you have to stop at some point, and that is no bad thing.
We grew up listening to alternative music from the '90s, and there was no shame in being on a major label and still making the music you wanted to make. I feel like rap rock came around and drew a line in the sand, and everybody that was like me ran away from that and started making indie-rock.
If you had told me in 1968 that 20 years later I'd still be receiving wonderful royalty checks for those three years, I wouldn't have believed you.
It felt like 10 years, but I was actually in treatment for three-and-a-half years. I finally finished in April. Two years ago, I had a bone marrow transplant from my brother, which saved my life, so I feel really grateful.
I never expected that, 20 years later, Chucky would be considered a classic, if I may invoke that term. A golden oldie anyway, something that people still care about 20 years later.
This site uses cookies to ensure you get the best experience. More info...
Got it!