A Quote by Patricia Piccinini
For me it is a matter of respect for the ideas in the work and the people who look at them. I absolutely hate it when works come back to the studio for repair, and I try to make sure that they never do.
Related Quotes
I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio to get new ideas. You have to get new ideas from life, not from the studio. Then you go to the studio to realize the idea.
Sometimes ideas just come to me. Other times I have to sweat and almost bleed to make ideas come. It's a mysterious process, but I hope I never find out exactly how it works.
What I think I know about dating is that you can't take back something you say in a date. You can't lie, and you can't pretend to be someone you're not unless it's not going well and you never see them again. It never works if you try to make yourself seem like someone you're not, and you want to keep dating them. Be yourself. Don't embellish. It will always come back to get you.
The most important thing in my life, and the thing I try to focus on, is to try not to live a life of cruelty. That means trying to make sure I look people in the eye when I meet them. Sometimes you jump in a taxi, or maybe you only have two minutes with someone, and you never see them again. I try to always look them in the eye and have a real experience of what it is to communicate with someone.
When you believe that you cannot stitch your own heart back together, go to work on the hearts of other people; there is no surer way to repair yourself than to repair them.
It's probably simply a matter of temperament that I never stopped to wonder if I could "match" what I had done, never choked off my writing by competing with myself, or with anybody else for that matter. My ambition was absolutely centered on the work itself, never on what it would bring me, or "who" it would make me. I never cared about that at all.
You come for the money, you don't come to Barefoot College. You come for the work and the challenge, you'll come to the Barefoot College. That is where we want you to try crazy ideas. Whatever idea you have, come and try it. It doesn't matter if you fail. Battered, bruised, you start again.
I respect my competitors, you know, I get respect back from them. I respect people out there who pay for their tickets to come watch us compete. And I respect the reporters because they've got to come out here and tell a good story. That's what it is. It's just a cycle of respect.
I enjoyed so much working with the guys from Wilco, and riffing off of them, and having someone come up to me with ideas, because normally in the studio it's me who has to come up with all the ideas.
It doesn't matter what color you are. Poverty is poverty. Inmates come from all walks of life. We have to make sure we look out for these people and give them a chance.
I think everyone at some point comes up against a wall. Curiously, though, if you continue working, you might readdress that idea from another direction. If you didn't try something, you'd never have anything; if you didn't make an attempt to make the work, it wouldn't exist. There have been times when I could not work, and I would just go and sit down in the studio and wait to see what might happen. You can't always just go and take an exotic trip and come back and make something.
I have much respect for the people that I work with, and it's reciprocal. My shoots are always very calm. Everyone has their work to do, and we try to respect everyone's work and give them the time necessary. There's never any tension. That's something that helps to attain the simplicity that I'm looking for.
I don't call myself an 'independent filmmaker'. Either a concept works within a studio system or it doesn't. If it does then you should try to get a studio budget so that you can use all of the tools they have to get what you want. If it doesn't then you look elsewhere, or make it yourself.
As far as outdoor work is concerned, a studio is only a garage; a place in which to store pictures and repair them, never a place in which to paint them.
I have a very high respect for professional comedians. What they do astonishes me. You have to be really smart and absorb everything, repackage it, bring it back to the person, and make them laugh at themselves. I can make people laugh during my talks because they didn't come to have me make them laugh. It's added value. So my job is way easier than that of a professional comic.
We have to make sure that our kids still feel good about themselves no matter what their weight, no matter how they feel. We need to make sure that our kids know that we love them no matter who they are, what they look like, what they're eating.
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