A Quote by Patricia Polacco

I came from a family of incredible storytellers, but I didn't start writing children's books until I was 41 years old. — © Patricia Polacco
I came from a family of incredible storytellers, but I didn't start writing children's books until I was 41 years old.
Although I could read before I went to school, and I won the school reading prize at five years old, my early children's stories came from the radio and watching films at a cinema on Saturday mornings in Australia. It wasn't until I was nine years old on a ship returning from Australia that I was introduced to children's books.
Writing my own stories had always been one of my dreams, but I didn't start until I was 29. I was working in a book warehouse and was assigned to the third floor where all the children's books were. For four and a half years, I spent all day, every day around children's books, and it wasn't long before I fell in love with them.
I didn't start working on children's books until I got a job at a book warehouse on the children's floor. When I started reading some of the books, I was so impressed.
I started writing 'Brick Lane' when my children were two years and five months old. We were on holiday in the north of England when I was overtaken by a compulsion to start writing.
I actually was doing ghostwriting jobs since I was 17 years old, so I've been supporting myself off and on with writing jobs for almost 10 years. But those were all things that I did off the books. And now I do a lot more writing on the books.
Happy birthday to Arnold Palmer, who turned 82. That's 41 years iced tea and 41 years lemonade.
My father was an Episcopal minister, and for 14 years my family lived in China, in a city called Wuchang. We four children spoke Chinese before we spoke English. We left when the communists came, in the early 1930s. I was about 5 years old.
I did a minor in creative writing in college, but I didn't start writing until I stayed at home with my own children.
I did have a child, and I was reading a lot of picture books to her, but at the same time writing a children's book was something that I'd been wanting to do for many years, pretty much since the start of my career.
I've been writing fiction probably since I was about 6 years old, so it's something that is second nature to me now. I just sit down and start writing. I don't sit down and start writing and it comes out perfectly - it's a process.
I lived in upstate New York until I was ten years old and we moved overseas. I have a lot of nostalgic memories of that part of the world, and I love going back there by writing the Lakeshore books.
I didn't start writing my own books until I was 40.
There is the myth that writing books for children is easier than writing books for grownups, whereas we know that truly great books for children are works of genius, whether it's 'Alice in Wonderland' or the 'Gruffalo' or 'Northern Lights.' When it's a great book, it's a great book, whether it's for children or not.
I don't feel like I really hit puberty until I was almost 17. I'd go to dinner with my family, and I'm 15 or 16 years old, and the waiter was still giving me the children's menu.
The love of writing comes at a very early age. For me, for instance, comic books so affected me. And a lot of people who come up to me and start talking about writing, when I start talking to them about the "Fantastic Four," they look at me aghast. They say, "'The Fantastic Four?' That's not literature." I say, "Yeah, but it was when I was 11 years old." This was literature.
I began writing seriously in my mid-20s and didn't publish my first book until I was 41.
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