A Quote by Patricia Polacco
I could walk into anyone's home one time and draw a three-dimensional architectural plan of the inside of their home from memory, but I could not add up a column of numbers.
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Home is a blueprint of memory...Finding home is crucial to the act of writing. Begin here. With what you know. With the tales you've told dozens of times...with the map you've already made in your heart. That's where the real home is: inside. If we carry that home with us all the time, we'll be able to take more risks. We can leave on wild excursions, knowing we'll return home.
When I was in third grade, I would run home - literally run home from school - and if I could make it in time, I could get home and the put the TV on in time to catch the answering machine message at the start of 'The Rockford Files.'
Since I found that one could make a case shadow from a three-dimensional thing, any object whatsoever - just as the projecting of the sun on the earth makes two dimensions - I thought that by simple intellectual analogy, the fourth dimension could project an object of three dimensions, or, to put it another way, any three-dimensional object, which we see dispassionately, is a projection of something four-dimensional, something we are not familiar with.
When I started editing on my home computer, I said to myself, 'Well, I could be at home studying for a class or I could be at home editing a video.'
As I ran for president, I hoped that one child would come out of the ghetto like I did, could look at me walk across the stage with governors and senators and know they didn't have to be a drug dealer, they didn't have to be a hoodlum, they didn't have to be a gangster. They could stand up from a broken home, on welfare, and they could run for president of the United States.
I grew up in a remarkable home, the middle of seven children. My parents raised us well. They loved us well. We laughed hard growing up. But being the middle child, I couldn't figure out where I fit in the home, whether I was the youngest of the older three or the oldest of the younger three. When you don't know where you fit inside the home and you're young and you're desperate to fit in somewhere, I'd figured where I would fit outside the home. So I made some bad decisions about who I hung out with, I dropped out of high school, got kicked out of the house.
It seemed a place where heroes could fitly feast after victory, where weary harvesters could line up in scores along the table and keep their Harvest Home with mirth and song, or where two or three friends of simple tastes could sit about as they pleased and eat and smoke and talk in comfort and contentment.
In the beginning, I was a stay-at-home dad. So I could actually focus on being a rapper. I could write. I could come up with ideas.
Texas was home. We went to Anchorage to get rich in 1959. Someone told us, 'If you drive a nail, you could make $100 a day in construction work.' We were hungry, and we stayed there for a year and a half. But I never did plan to stay there - the same with Nashville. I was gonna go up there and work, but Texas was home.
Many years ago I had two small children, and I wanted to be able to be home when they got home from school. And I didn't like the direction journalism was taking. I thought if I could write books, I could work at home and have the best of both worlds. I wrote my first mystery while still working full time, and it didn't sell, but the next one did sell, so I quit my job for the world of fiction. Scary, but I've never regretted it for a single day.
In principle if I could not have a home I wouldn't. But not having a home would be too difficult procedurally, going from hotel to hotel, the gap of three hours where you're hungry and tired.
You know what I am going to say. I love you. What other men may mean when they use that expression, I cannot tell. What I mean is that I am under the influence of some tremendous attraction which I have resisted in vain, and which overmasters me. You could draw me to fire, you could draw me to water, you could draw me to the gallows, you could draw me to any death, you could draw me to anything I have most avoided, you could draw me to any exposure and disgrace. This and the confusion of my thoughts, so that I am fit for nothing, is what I mean by your being the ruin of me.
Like I always say - be where you're at. For me, that means that when I'm home with my family and the phone rings with a number I don't recognize, I don't pick it up; it could be an important call, or it could be a radio interview that I would usually make time for.
Seem to be telling this, but really telling that. Three-dimensional writing, like three-dimensional chess. Nabokov was the other master of that. You could learn something from Nabokov on every page he ever wrote.
Ranveer was almost three when I began my second stint. I took up TV assignments so that I could have enough time at home. While being 24/7 with my child was amazing and his company stimulating, I missed adult conversations.
I'd always put on little shows at home, but when I was 11, I did a community event in Woodford, where anyone could go. You had three days of vocal training and performed your song at the end.
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