A Quote by Patricia Reilly Giff

Outside of family, writing is essential. To me, it's like breathing. — © Patricia Reilly Giff
Outside of family, writing is essential. To me, it's like breathing.
Reading is like breathing in, writing is like breathing out.
For me writing is like breathing. I could not live without breathing and I could not live without writing.
Writing is what I do. It's like breathing to me at a certain point, but if I couldn't write, I do like cooking.
I realized early on in writing the book that it needed to be from a family point of view, and that nobody outside the family would weigh in. And then well into writing it, the question became how to balance the perspectives; how to switch between chapters.
Reading is like breathing in and writing is like breathing out, and storytelling is what links both: it is the soul of literacy. The most powerful tool that we have to strengthen literacy is often the most underused and overlooked, and that is a child's own stories.
I have a basic indolence about me which is essential to writing. ... It's thinking time, it's hanging-out time, it's daydreaming time. You know, it's lie-around-the-bed time, it's sitting-like-a-dope-in-your-chair time. And that seems to me essential to any work.
All writers have periods when they stop writing, when they cannot write, and this is always painful and terrible because writing is like breathing.
Writing is indeed essential to me. I have been writing for a long time but not for publication. I'm sure there are many, many people who do the same. The rewards of writing are in the process and not the product - not just for me but for others I have met.
Art for me is like breathing. When I stop breathing, what happens?
I love how Pilates makes me feel, like it opens me up. I have the hardest time breathing, weirdly enough. Even when I have conversations, I need to work on my breathing, so it's something I enjoy because it's peaceful and it helps me relax.
For me, I never want anyone outside of my immediate family and outside of me to have the power to alter the way that I walk, talk, shop, or date. When you start feeding off of that outside acceptance and accolades, you lose sight of what's actually real. Once you get there, it's kind of hard to double back.
By remaining constrained in one's environment or country or family, one has little chance of being other than the original prescription. By leaving, one gains a perspective, a distance of both space and time, which is essential for writing about family or home, in any case.
My family life reads a bit like 'Little House on the Prairie.' I was big sister to Joan, Renee, and brother William, and we grew up in Dalkey, a little town 10 miles outside of Dublin. It was a secure, safe and happy childhood, which was meant to be a disadvantage when it comes to writing stories about family dramas.
For me, fiction belongs to my inner being, is something essential which defines me - I am a fiction writer in the same way I am a woman, the same way I am dark-haired - it is something essential and structural. It's like an exogenous skeleton that keeps me going. And I don't know how I would manage to live without writing, working with words.
Every story I've written was written because I had to write it. Writing stories is like breathing for me; it is my life.
I try to schedule at least one day a week to catch up, to feel like I'm breathing again. I take vitamins. I have a treadmill and weights at home, but I prefer walking outside, just kind of breathing and letting it all go. I try to read for pleasure whenever I can - it's a great way just to shut it off for a while so your brain doesn't get fried.
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