A Quote by Patricia Richardson
Getting married and then having children just centered me and grounded my values. It was like a whole new world. It started happening in New York with a little play called Cruise Control, where I relaxed, and then I kept getting work in Hollywood till this series happened.
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I moved to New York when I was 17 and I had no idea what I was doing. I really thought I was going to take that city by storm and it taught me a lot; it was like the school of life. For me, it was like a series of really hilarious experiences in New York with getting jobs and getting fired.
I always considered myself a songwriter, but I didn't move to New York with plans of doing that; it just sort of happened. Everyone thinks that I moved to New York strictly to play music, but I totally just happened to fall into playing with Woods, and it all got started from there. I just went to New York to hang out.
It's like a series of waves hitting you. First, getting excerpted in the 'New Yorker' last summer, then getting published, then the best-seller list, the award, the movie deal, now this, a Pulitzer.
For me, growing up in New York, it started with Elvis Costello and the Clash and then got into louder things like Bad Brains and Stimulators, because those were, like, the local bands. Then I started getting into bands from England like the Slits. I remember seeing Gang of Four at Irving Plaza; that was a really big show for me.
I had a band with a girl in New York, and we would go around and do gigs. And then I happened to start getting work as an actress.
The drinking was getting way out of control. I just didn't recognize myself anymore. I didn't know what I was doing or where I was. I always had to have some drinks with me in my bag. Just waking up shaking and then having Bloody Marys on your own, first thing in the morning-I started to feel really pathetic about it. So I was like, "I can't live like this." It was just this really awful feeling of becoming a totally different person and not being able to control it at all. Then I tried to not drink, but that didn't work. So I figured I should just go to rehab.
Originally I had planned to write just a couple of children's books and then, return the focus on adult literature. A funny thing happened along the way - I kept having new ideas, and then I looked up one day, and 30 years had passed!
What I do know is how difficult it is in this industry to get a show on the air. There's so many different stages: getting a script bought by the network, then getting a pilot made and having that pilot go to series, and then, when that series gets on the air, having people watch it.
Chicago seems to follow New York, and coming from New York and being in real estate, I worry about things happening in Chicago that have happened in New York. I've seen a great city like New York go downhill. It has a wonderful financial downtown, but the rest of the city is not very nice.
Everything I learned and didn't do in New York I would put into place here in the London West Hollywood. It's fascinating, when you look at the critics' reviews, and we had a great one in the New York Observer and all that, and then the New York Times came and it was a devastation; two stars out of four. They said that I played safe because it wasn't fireworks. Then they judged the persona over the substance that was on the plate.
I went to the University of Georgia for a year before I left, and then I went to live with Eileen Ford in New York for the modeling agency. I thank god I could do that because all the other kids were getting jobs doing other things, and when I got to New York, I was very blessed. I didn't have to stop and be a waitress. I started making money at a very young age and was just very lucky.
I started acting when I was 13 in New York. Worked there for a couple years, then auditioned for a show there that was going to be filming here. Ended up coming out, getting the job and just staying.
When I was in New York, I took my bike everywhere for transportation. I didn't have a fixed-gear bicycle, like a lot of the messengers do, but I had a stripped-down deal - having lost a few good ones in New York - and I did 10 to 15 miles a day just getting around the city.
I did about 10-12 national commercials and then got one line parts in things like 'Curb Your Enthusiasm' and the show 'The Unit.' Got a little part in the movie 'Redbelt' by David Mamet and kept slowly grinding up and then started getting bigger parts in independents and getting noticed by Liz Meriwether.
When I was a young comic in New York and I wasn't getting any work, I was wandering around the Lower East Side with my notebook. I would stop at the guitar place on St. Mark's and talk to that dude for a while, then I'd go to the bookstore and talk to that dude for a little while. I had a guy over at the record store, and I'd talk to him for a while. It kept me connected to life.
Appallingly, I hadn't thought about it one jot. I never daydreamed as a little girl of getting married and having children. I was as surprised to discover I was getting married as I was to discover I was up the duff.
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