A Quote by Patricia Zipprodt
A play is a painting that moves. Instead of it holding still, and you are looking at it, you hold still and it scrolls by.
Related Quotes
Steadfastness, that is holding on; patience, that is holding back; expectancy, that is holding the face up; obedience, that is holding one's self in readiness to go or do; listening, that is holding quiet and still so as to hear.
This was a no-brainer, ... When it came down to it, I said to myself, Hey, you can still play, you can still play at a high level and you still enjoy playing. Why not play?
I still love physical product. I still hold out for actual CDs, because in radio, everyone just wants to send you a file to play.
You have bits of canvas that are unpainted and you have these thick stretcher bars. So you see that a painting is an object; that it's not a window into something - you're not looking at a landscape, you're not looking at a portrait, but you're looking at a painting. It's basically: A painting is a painting is a painting. And it's what Frank Stella said famously: What you see is what you see.
People are still making paintings. People are still enjoying paintings, looking at paintings. Paintings still have something to tell us. There's a way of being in the world that painting brings to us, that painters bring to the task that we absorb and are able to be in dialogue with. That's something that's part of us.
What difference does it make whether you're looking at a photograph or looking at a still life in front of you? You still have to look.
There's a light, I still see it
There's a hand still holding me
Even when I don't believe it
As a child, play, drawing, and painting were important to me - they still are.
One of my favorite things in the world is to be seeing two people that are really old, still holding hands, still kissing.
Hold me? If you still want to, I mean." She looked away. "Everyday"--then he was there, lifting her into his arms, holding her like she was fragile and precious--"I want to hold you every day. Nothing will ever change that.
Usually I draw in relation to my painting, what I am working on at the time. On a lucky day a surprising balance of forms and spaces will appear... making itself, the image taking hold. This in turn moves me toward painting - anxious to get to the same place, with the actuality of paint and light.
Frank Moore Cross is also a leading Dead Sea Scrolls scholar, which he's been since they were discovered more than 50 years ago. He's just completing an edition of one of the most significant scrolls for Biblical studies, the Book of Samuel from the Dead Sea Scrolls.
I still think a reasonable question is, would we be better off with [Muamar] Gadhafi and Bashar al-Assad still in there and Mubarak still there and Saddam [Hussein] there than the crap we have got looking at us now?
I’m not comfortable in this stadium,” I explained, trying to look calm. “I know. And you hate Fang looking at those girls. But we’re still having fun, and Fang still loves you, and you’ll still save the world. Okay?
I can still boss people around. I can still write. I can still read. I can still eat, and I can still have very strong views.
I like creating these moments where there's this dichotomy between something that repels you but is still so attractive that you can't stop looking. You still want to acquire it; there's still that level of aspiration for the image of the figure or the person you're looking at. when you look at the work there's this, "Oh it's really beautifully rendered!" or, "I love those beautiful tones." There's some aspect that's really attractive but the image itself could be slightly distributing.
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