Football is generally a working-class sport, and because of the fact I went to private school and was brought up slightly differently, people think that makes me a different person.
It's hard for me to assess what I brought because each time you pick up a camera and point it at a person, you're trying to define that person so to talk generally is difficult because I have to think of a given image in order to conjure up what we're talking about.
Both my parents are artists, so that just makes me look at everything slightly different. I listened to different music; I dressed differently. So I kind of grew up without following the pack.
I think people should be allowed to do what they want to do. I think that it doesn't make sense for a certain class to be able to get married and be treated differently when others are not. But I don't equate polygamy with same-sex marriages - and I know you don't either. Polygamy is a different story because it has different class differentiations in it.
I don't think about the audience, I don't think about what makes them happy, because there's no way for me to know. To try to think of what makes for entertainment is a very Japanese thing. The people who think like this are old-fashioned. They think of the audience as a mass, but in fact every person in the audience is different. So entertainment for everyone doesn't exist
I'm pretty private as a person - people generally think they know more about me than they do, because I gregariously advertise what I want known. So it pains me to think people might feel they have an insight into my personal matters, which they most certainly do not.
I'm such a different person to the one I was at Radio 1... and I like to think that women are treated slightly differently to back then.
I think that I just wasn't brought up under any rules, and I think that made me a little different and people wanted to look up to that or aspire to that, and that makes me very grateful.
I think every person is different in coping with pressure; every person thinks differently. For me, sometimes it is difficult because people expect so much of me.
I do revel slightly in the fact that I am what I am - an English, middle-class, public-school-educated bloke. There is a reputation with that of being slightly stiff, but whoever gets to know me will see some other element - whether it be vulnerable or silly or camp.
I went home every night wondering how to get in the Burnley team. It was, 'You've been brought up nicely, had everything handed to you.' Is that what people think just because I went to private school and played instruments?
I always considered myself working class, because I was brought up on a council estate. I still do, really. I mean, I might have a bit more money now than I did then, but it's in your head, class, I think. It's how you feel in there.
I think the working-class part of me comes out. Sometimes the people who have the loudest mouths are upper-class, upper-middle-class. The quietest are often working-class people, people who are broke. There is a fear of losing whatever it is that you have. I come from that background.
I don't feel the need to defend myself anymore - I am a woman. I feel differently and I think differently than a man. If you're going to bully me or laugh at me because something makes me emotional - you go right ahead because that's what makes me a woman, and I don't want to be anything but that.
The Labour party was supposed to defend the people and be for the working class, but now they only have ever-so-slightly different polices from the Conservatives.
The American cinema in general always made stories about working-class people; the British rarely did. Any person with my working-class background would be a villain or a comic cipher, usually badly played, and with a rotten accent. There weren't a lot of guys in England for me to look up to.
If you speak in a different accent, you begin to move in a slightly different way. You think in a slightly different way. It's part of trying to find what makes a character.