A Quote by Patrick Beverley

I never act like something I'm not. — © Patrick Beverley
I never act like something I'm not.
There's just something about being on stage and being with the people that, once that camera turns on, you find the strength to keep it cool, look good, act like you're not cold, act like you ain't nervous, act like you aren't scared. I think that comes with confidence and practice.
When you write something by hand, there's a sort of intimacy that is just intrinsic to that act. You don't get to delete something in the same way, where it's like it was never there.
I don't like it when people who are young act like they're 40. That's taking too much on. Putting up a shield and trying to act like you're so mature or whatever - I don't try to act mature. Some people might say I'm mature for my age, but it's not something I'm trying to do, you know? I'm just me.
Money is great, but history is something that you can never get rid of and act like it didn't happen.
Never act like you want it, darlin'. Act like you wouldn't own it if they paid you. Tell them it's dirty, broken...a useless thing. Then make an offer.
I enjoy a third act, and I like stories with ending. A lot of my frustration with serialized storytelling is a lot of shows don't have a third act. They have an endless second act, and then they find out it's their last year and often have to hustle to invent a third act, but they were never necessarily organically meaning to begin with.
It's not that the creative act and the critical act are simultaneous. It's more like you blurt something out and then analyze it.
I throw dignity out the window, and just become a creature of the moment on the stage. I act like I'd never act in real life.
I used to think there was something dirty about being paid for something which is a sacred thing to do. I can't disconnect the act of writing music from the act of prayer. If anyone tries to stop me working, it feels like someone is trying to stop me from taking communion.
In my stand up, I think I try to be less energetic because I feel embarrassed about how much enthusiasm I have. There's something about acting like I don't care, or if I act like I haven't spent enough time on it, it seems to go better. If I act like I'm really trying to sell it, it doesn't go as well.
I was sixteen then, and I'm seventeen now, and sometimes I act like I'm about thirteen. Sometimes, I act a lot older than I am--I really do. But people never notice it. People never notice anything.
There’s a great expression in Twelve Step programs: Act as if. Act as if you’re a writer. Sit down and begin. Act as if you might just create something beautiful, and by beautiful I mean something authentic and universal. Don’t wait for anybody to tell you it’s okay. Take that shimmer and show us our humanity. That’s your job.
The first act is writing, the second act is filming, the third act is releasing. If you have to partake in the third act, it hurts the first act of the next one. It's like a prizefight. You get punched.
We establish a connection with the unknown through the act of giving something and, paradoxically, the act of destroying something. That is what is behind sacrifice. What you offer and what you destroy, it is that surplus which is life itself.
When I've known something is right, the actual doing of it is not scary. It's like being onstage or performing. After it and before it, there might be a lot of fear, but the act of it is never scary for me.
I'm an actor that loves to eat on camera. I love it. Something about the act of eating means that you actually can't act as much. You have to be involved in the very real task of trying to ingest sustenance without choking and dying. Something about that process takes the heat off trying to act and often feels more natural.
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