A Quote by Patrick Carney
I was real into Devo, Pavement, Captain Beefheart, and the Jon Spencer Blues Explosion.
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It makes me itch to think of myself as Captain Beefheart. I don't even have a boat.
DEVO was like the punk band that non Punk America saw as Punk and so when people who were really into Punk rock would be walking around on the streets the jocks who learned about Punk through Devo would roll down their windows and yell at the Punks: 'HEY, DEVO!!'
I would choose no other band, given the opportunity, except for one that's extinct, like Devo. Sorry to my bandmates, but I'd rather be in Devo.
When I was growing up, I was always looking for the most willfully uncommercial music: Whether it was Captain Beefheart or Frank Zappa or King Crimson, that's what attracted me.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
"Smooth Sailing" and "Hall of Fame" are my top two nicknames. "Cool Guy." "Jolly Jon." "Fun Jon." There's a lot of derivatives of Jon. "Cool Jon." Some people took "Smooth Sailing" and "Fun Jon" and made "Smooth Jon." That's a good one. It's just starting to catch on with the general public. Just every now and then, "Hey! Smooth Jon!" Or "You're Smooth Jon, right?!" People aren't quite sure. I'm like, "Yeah." "Okay, cool, that's what I thought!"
During the last 35 years, the artists multiplied, the public grew enormously, the economy exploded, and so-called contemporary art became fashionable. All these parameters changed the art world form its previous aspects and fundamentals - the explosion of museums and institutions, explosion of Biennales and Triennials, explosion of money, explosion of interest, explosion of artists, explosion of countries interested in contemporary exhibitions, explosion of the public. Not to see that is to be more than blind.
When I was a kid, I would go to the record store, where there was a bin of things they didn't know quite how to classify. Those were my choices. That's where you would find Captain Beefheart or an early electronic album.
The real damage from terrorist attacks doesn't come from the explosion. The real damage is done after the explosion, by the victims, who repeatedly and determinedly attack themselves, giving over reason in favor of terror... Terrorism is about magnifying one mediagenic act of violence into one hundred billion acts of terrorized authoritarian idiocy.
November 18. . . I dig musicians, I feel they have the most to offer me mentally and emotionally because they think basically along the same lines that I do; extremely creative people. Music is Life. As Captain Beefheart once said 'God is a perfect musical note.
The blues scale was the first thing I learned. It's just a pentatonic scale with a flat seventh and a few notes that sound cool when you bend them. And because people have amalgamated the blues into this rock-blues scale, if you're using it, you better sound like a real authentic blues player.
I have heartaches, I have blues. No matter what you got, the blues is there. 'Cause that's all I know - the blues. And I can sing the blues so deep until you can have this room full of money and I can give you the blues.
I was captain in Atletico at 19, playing in the same team as Demetrio Albertini, who won three Champions Leagues, and Sergi Barjuan from Barcelona, who had won everything, and they were 32, 33. I was a kid as captain, so I wasn't the real captain, just a kid learning from them.
In the old days, maybe we'd come across Captain Beefheart, buy a record, go, 'This is great!' and notice how his music is evolving, changing, and becoming more complex, more radical. And we would follow that progression and see it reflected in the alternative culture it came from.
I'm not really too worried about the mystique of Jon Jones. Because I know Jon Jones' core. I remember when Jon Jones used to come up to me and say, 'Hey man, what's it like when everybody wants to take pictures with you?' So I know Jon Jones.
I fully agree with all that you say on the advantages of Spencer's excellent expression of 'the survival of the fittest.' This, however, had not occurred to me till reading your letter. It is, however, a great objection to this term that it cannot be used as a substantive governing a verb; and that this is a real objection I infer from H. Spencer continually using the words, natural selection.
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