A Quote by Patrick Carney
The Midwest breeds funny, eccentric people, to varying degrees. You play shows not because you're expecting to get a record deal, but to do something fun outside of mowing lawns. Everything else is just gravy... Or mustard.
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I think also just being from the Midwest, my dad was a stoic Midwesterner, he always told me never take anything for granted and you have to work for what you get so. That's funny because my friend Frank Anderson said something really funny he goes, "A lot of the people from the midwest are the laziest shits I've ever met." And he's right. I know some. You can't say its a stereotype that only people from the Midwest are that way because there are definitely people I know who hate to work and just want to hang out and drink beer.
I take my own syrup, ketchup, and mustard, just in case of emergencies, in my suitcase. Whatever I can steal from the hotels. It's usually Heinz ketchup, and they give you a weird mustard. You don't get French's or anything; you get some sort of Dijon or some mustard. That's just for hot dogs. I don't use mustard for anything else.
I became an entrepreneur as a child. I liked the art of the deal whether I was mowing lawns or selling candy or promoting clubs at the age of 16. I understood early on the importance of knowing my numbers and surrounding myself with the best people.
Christmas Day we get all the dogs and the cats and make breakfast and open presents and then go to the backyard - because it is always like 100 degrees in L.A. - and we get a speaker and play fun '80s music and dance outside with all the animals.
Mike Dukakis, you know, he can't get a job mowing lawns.
The interval between a cold expectation and a warm desire may be filled by expectations of varying degrees of warmth or by desires of varying degrees of coldness.
My parents were funny. My brothers were funny. We just laughed and had a good time. Growing up, it breeds that. It breeds your funny. It breeds your creativity.
What I love about comedy is that it's unquestionably working. There are varying degrees of that, where there's something that makes you smile and is funny versus something that makes you hysterically laugh.
Something is funny, most of all, because it's true, and because the velocity of insight into this truth exceeds our normal standards. Something is funny because it's outside our accepted boundary of decorum. Something is funny because it defies our expectations. Something is funny because it offers a temporary reprieve from the hardship of seeing the world as it actually is. Something is funny because it is able to suggest gently that even the worst of our circumstances and sins is subject to eventual mercy.
Somewhere, a long way away, people are doing sensible things like mowing lawns and digging gardens.
I've worked with a lot of people and I like to play with people when it's fun, and people that I have fun with independent of music, do you know what I mean? Where you can just joke and kid around, because you can joke and kid around with somebody and when you get in the pressure cooker of the studio then you can it's just something.
I play because I have fun, if I don't have fun on the court, there is something wrong. I am just a 19 year old boy that likes to do what he likes, nothing else.
I don't want people to think that just because I do club records, I can't do an album record or an R&B single. I can do R&B, I do pop, I do whatever - but it's still Mustard.
I always had one goal, and that was to be a real funny stand-up comic, and that's pretty much what I'm doing. And everything else is kind of like gravy - TV, movies.
I just hate the whole idea of labeling anything as a comedy. If you tell me something's funny, I'll want to rebel against it. When I go to a bookstore and see books categorized as humor, I get furious. Don't tell me that a book is funny. Let me decide if it's funny. It's the same with sitcoms. You call something a sitcom and people expect it to be funny. And that ruins everything.
I found so much fun in the light shows and the multimedia shows of the hippies. That was when I was a student in the 1960s, and I was in New York, so I learned how to deal with writing, recording sound of other people, performance art - because that was a new territory, and I liked everything that was new and provocative. That interested me more than becoming anything specific.
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