A Quote by Patrick Carney
I really don't have an ear for pitch. I can't sing at all, I can't hum melodies and I can't write riffs.
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The melodies were melodies that anybody could sing or hum or whistle. And the words were just about that simple. I think the stories Hank told in his song fit so many people. Nearly everybody in the audience acted as if Hank were singin to them alone.
Melodies and ideas are always on my mind and always coming to me. I'm very thankful for that because if I didn't have whatever that is, that craziness, that openness, maybe, I don't think I'd be able to do what I really love to do, which is write great melodies and at least try to write great melodies.
I don't want to write melodies anymore. I can only write really simple, dumb caveman melodies.
I don't even sing in front of really close friends. It's embarrassing. I don't really sing when I'm alone, either. I just hum enjoyably.
When I was in college and reading music and doing ear training, I was a little more advanced than the other people in my choir classes. So to entertain myself and kind of annoy the friends around me, I would sing just under the pitch or just above the pitch.
I wrote 90 percent of the record in prison. A lot of people wonder, "How the hell did you do that?" I just pretty much played drums on my legs with my hands and while I did that, I would hum the guitar parts and sing the melodies of the songs.
I used to write on pads with a pen but had trouble reading the words the next day. Years later, Bob Dylan taught me to just write and write on a laptop computer. Then I'd print that out. When it was time to write a song, I'd go through the pages and sing melodies to words that moved me.
Make your melodies simple enough so that the average person can hum them.
I use my phone to record notes or hum melodies. That's how I remember them.
Many times, the way I write my themes or melodies is that I hear it, and then I sing into my phone or something, or I'll scribble down on a piece of paper.
Jim had melodies as well as words. He didn't know how to play a chord on any instrument, but he had melodies in his head. To remember the lyrics he would think of melodies and then they would stay in his head. He had melodies and lyrics in his head, and he would sing them a cappella, and we would eke out the arrangements.
I've always had an ear for melodies, and they veer pop. My lyrics are more country - what I love is the storytelling and the structure, how tight the rhymes can be. But pop melodies have always been intrinsically linked to my writing style.
I grew up in a really musical house where all of my brothers and sisters could sing, but I couldn't sing. Not only could I not sing, I couldn't hear pitch. I was totally tone deaf - legitimately, one hundred percent tone deaf. Nevertheless, I loved music.
Because, in opera, I have to sing for people that are very far from me, instead of, when I sing a song, I try to imagine to sing like in an ear of a child.
I usually sing a lot on my mixtapes. I sing a lot on songs that just really aren't singles. Even my first single, 'My Last,' which I feel like is more pop than anything - I was originally singing the chorus on there. I'm used to that. I've always had fresh melodies.
If you see a credit with just my name on it, that means I write absolutely everything: rhythm guitar parts, guitar melodies, vocal melodies... absolutely everything, really.
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