A Quote by Patrick Carney
When no one's buying your records, it's easy to justify selling a song. But once you start selling records, you can't really justify having two songs in Cadillac commercials. It looks greedy. And it is greedy. This whole music thing should be about music.
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Well, the album 'Intuition' is out and just went platinum officially. So I think to have the music doing what it's doing right now, man, it's the ultimate. Nobody is really selling records out there but we are at a million records and we dropped it at Christmas, so we are just trying to get that thing to like two million, you know.
I'm always happy when I hear about people selling records or selling books or selling movies. It makes me proud of them.
If people really like your music but you're not selling so many records, I don't think it really matters.
For us, selling a million records in 2005 is the equivalent of selling 2 to 3 million records (five years ago). Rock records aren't flying off the shelves like they used to. Hip-hop and pop are so huge. (But) everything's on the upswing for us.
I'm selling my soul to Hollywood Records. I love you like a love song baby, a sinful, miracle, lyrical. He ate my soul. He's Lucifer. I'm torn I'm selling my soul to the rhythm because I'm become so possessed with the music he plays. I chose a path and I'm not looking back.
If all music did was bring the past alive, that would be fine. You can hide away in music and let it recapture memories of things that used to be.
But music is greedy and it wants more of your heart than that. It demands the future, your future. Music wants the rest of your life. So you can't rest easy.
At any moment, a song can come out of nowhere to shake you up, jump-start your emotions, ruin your life.
I have never made money selling records. I have never really made money touring, either, or with merchandise, surprisingly. But I do make money by just having my songs in the background of television shows or in commercials or movie trailers. That's been really good.
I think it's OK if somebody likes my music and likes Sam Hunt's music, too. And I think if we're both selling records, it's good for everybody. I think it allows other records to get made.
The song 'Bite the Thong' in particular, with Damon Albarn, really encapsulates the whole dilemma of, 'Hmm, should I stay on the underground when everybody else is selling out?' Nowadays, you can just do it - have your name-brand clothes, do songs with rock n' rollers - and it's not considered selling out.
You have to get past the idea that music has to be one thing. To be alive in America is to hear all kinds of music constantly: radio, records, churches, cats on the street, everywhere music. And with records, the whole history of music is open to everyone who wants to hear it.
The whole having records and selling records and being on TV, that was something that I didn't ever think would be for me. I thought that would be for other people. All I wanted to do was make a living playing the drums.
Before the whole [music] business was calibrated around the selling of records. I never could have imagined that live performance would become kind of a vortex of the business. It's such a seismic shift really.
Putting out compilation records, buying the right to music is incredibly complicated. You have to find the writer of the song and the publisher of the song - not the singer - and make two separate deals.
Records are one thing, and obviously, without hit songs, you don't have the opportunity to do your shows. But my live show has always been my selling tool.
Records aren't selling anymore; people are burning music.
I didn't want to do a double album. I just felt like the last two records I made were like that, and a lot of records I was buying were like that, and it started to feel like it was too much music to digest at once.
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