A Quote by Patrick Demarchelier
Take pictures all the time. Don't worry if you take a bad photograph; you learn more by taking a bad picture than a good one. If you don't like it, study it and figure out why you don't like it. You'll learn from your mistake.
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And what we students of history always learn is that the human being is a very complicated contraption and that they are not good or bad but are good and bad and the good comes out of the bad and the bad out of the good, and the devil take the hindmost.
If you like a wine that you drink, now with your phone, it's so easy. Just take a picture of the label. You learn about it. You learn where it comes from and what the soil is like and why you like it. And that'll lead you to another wine.
You have to take a lot of bad pictures. Dont' be afraid to take bad pictures... You have to take a lot of bad pictures in order to know when you've got a good one.
Everything is a learning experience, both good and bad that happen to you. You take what happens and learn from it. That's how I look at everything, the good and bad. You learn about it, and you improve.
You've got to be able to take the bad events with the good ones. You've got to learn to deal with them and learn to take as much as you can from those. Have fun and put as much as you can into it. As long as you've done your best, that's all you can do.
It's good that everyone has an opportunity to take pictures, the chance to be a photographer. Some are good, too. But the bad thing is that it's very, very difficult to take a great picture. Everyone can take a good picture - even a child - but it's hard to make a great one.
Since I switched to an iPhone, I did start taking pictures of people I like. Until then, I strangely never took pictures. I think the iPhone became this space that was different enough from a "photograph," so I find myself taking pictures of daily things. If someone I dated asked me to take their picture, I would most likely find it disturbing. Perhaps nude pictures would be fun. But that would have to be on an iPhone.
Spend time in your head and figure yourself out. Start taking note of all the things you do that you don't like, and then you're more conscious of it, and you learn.
My thing with fans is, it's always about being really good to them and taking the time to take every picture. If there are 300 people, you should take 300 pictures - you shouldn't take 250 because then fifty people will go home sad. Why would you do that?
Advice to young writers? Always the same advice: learn to trust our own judgment, learn inner independence, learn to trust that time will sort the good from the bad– including your own bad.
I have found that by looking at what is rewarded and punished, and why, universally - i.e., in nature as well as in humanity - I have been able to learn more about what is "good" and "bad" than by listening to most people's views about good and bad.
I think fame and all that madness, people taking your pictures all the time, drives me insane. It's a catch 22...the more they take pictures of you, the more upset you get by it and the more crazy you look and the more pictures they take of you. I think it's disgusting what's happened with that kind of celebrity culture right now.
Don't be afraid to take bad pictures, because good pictures are the mistakes of bad pictures.
I like taking pictures of other people more than I like to take pictures of myself.
I think we all have the same spirituality deep inside and we grow to learn more about it all the time, and we try very hard to become better people as we grow. We search all the time for the truth. We learn more about the world and we can't have thoughts like, "We are better than them" or "They are not good enough for God". This is very bad way of thinking, you know?
When you work fast, what you put in your pictures is what your brought with yoiu - your own ideas and concepts. When you spend more time on a project, you learn to understand your subjects. There comes a time when it is not you who is taking the pictures. Something special happens between the photographer and the people he is photographing. He realizes that they are giving the pictures to him.
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