A Quote by Patrick Demarchelier
The dog is the perfect portrait subject. He doesn't pose. He isn't aware of the camera.
Related Quotes
My dog, Puffy. The dog is the perfect portrait subject. He doesn't pose. He isn't aware of the camera.
To do a portrait today, I decide how close I can get to my subject. First, of course, mentally or intellectually, then in the viewfinder. Music cues the subject and me when to shoot. The music played during a photography session is most important - stimulating to the subject and to me. As in a film, the music builds or becomes quiet, romantic; just one note sets the actor up to emote for his audience. I want a reciprocal portrait, not a bureaucratic one
With modeling, you pose. You want to look your best all the time. With acting, you have to be aware of the camera, but the more you show your imperfections, the better you're going to be.
The actors feel very free. The actor, he doesn't need to think about where the camera is, he just has to focus on what he's doing and forget the camera. The camera is never in the perfect position, and I think this is what keeps this feeling of reality. The frame is not perfect.
I love my dog. Actually, the best portrait I did was of my dog.
Sensitive people faced with the prospect of a camera portrait put on a face they think is the one they would like to show to the world... Every so often what lies behind the facade is rare and more wonderful than the subject knows or dares to believe.
Sensitive people faced with the prospect of a camera portrait put on a face they think is one they would like to show the world very often what lies behind the facade is rare and more wonderful than the subject knows or dares to believe.
You don't want to be the guy whose back's to the camera in the emotional part of the movie. So, you have to be aware of the camera movement and what the camera's doing.
When people ask me which is your favourite portrait, they expect it to be Diana, or someone famous. But the answer is my dog, Puffy. They think I mean Puff Daddy. No, it is the dog.
I do not paint a portrait to look like the subject, rather does the person grow to look like his portrait.
A camera alone does not make a picture. To make a picture you need a camera, a photographer and above all a subject. It is the subject that determines the interest of the photograph.
After tiny has tried ballerina pose, swing-batter-batter pose, pump-up-the-jam pose, and top-of-the-mountain-sound-of-music pose in the reflection of the bean, he walks us to a bench overlooking lake shore drive.
What is a portrait good for, unless it shows just how the subject was seen by the painter? In the old days before photography came in a sitter had a perfect right to say to the artist: "Paint me just as I am." Now if he wishes absolute fidelity he can go to the photographer and get it.
In portrait photography there is something more profound that we seek inside a person, while being painfully aware that a limitation of our medium is that the inside is recordable only insofar as it is apparent on the outside...Very often what lies behind the facade is rare and more wonderful than the subject knows or dares to believe.
At this young age I am already sold on the idea of the dog. One of God's absolutely greatest inventions and one that needs no more tinkering. The dog is the perfect beast, companion, friend, shoulder to lean on, and scapegoat when too many cookies are missing. And a dog won't hold that against you, either. I am at peace sitting in silence with a dog.
It seems dangerous to be a portrait artist who does commissions for clients because everyone wants to be flattered, so they pose in such a way that there's nothing left of truth.
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