A Quote by Patrick deWitt
I was halfway through a rough draft of 'The Sisters Brothers' when it came time to start the 'Terri' adaptation.
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Brothers and sisters, our democracy has been hijacked. Brothers and sisters, all electoral freedoms in this country are over so long as it's controlled by corporations. Brothers and sisters, we are not going to allow these streets to be taken over by the Democrats or the Republicans. Because it's all of us who have built this city, and we can tear it down unless they give us what we need.
Save the love we pay to heaven, there is none purer, holier, than that a virtuous woman feels for him she would cleave through life to. Sisters part from sisters, brothers from brothers, children from their parents, but such woman from the husband of her choice, never!
Because your goal is a complete rough draft of a novel, and every rough draft, by being complete, is perfect.
I believe in sisters marrying brothers, and brothers having their sisters for wives... This is something pertaining to our marriage relation. The whole world will think what an awful thing it is. What an awful thing it would be if the Mormons should just say we believe in marrying brothers and sisters.
I finished the rough draft of 'Crying in H Mart' in July of 2020. My editor had it for five to six months, so I was free from it for a little while. I decided to take that time to start working on a new album.
God helping me, I will help my brothers and sisters in Christ, because they are my brothers and sisters.
I don't want our white working class sisters and brothers to feel as though their pain is not important because it is. But at the same time, I want my white sisters and brothers to understand that when we talk about income and wealth inequality, that disproportionately African Americans suffer a little more.
And not only my own brothers and sisters agreed so but my brothers and sisters in law; and their children, although but young, had the like agreeable natures and affectionate dispositions.
Almost all good writing begins with terrible first efforts. You need to start somewhere. Start by getting something-anything-down on paper. A friend of mine says that the first draft is the down draft-you just get it down. The second draft is the up draft-you fix it up. You try to say what you have to say more accurately. And the third draft is the dental draft, where you check every tooth, to see if it's loose or cramped or decayed, or even, God help us, healthy.
We are not alone. We have many brothers who in this moment of catastrophe came to help. And we too, because of this, we feel more like brothers and sisters because we helped each other.
I try to be a positive person, but I'm also always looking and wondering, 'Maybe this could be done differently.' As soon as your mind is in a critical mode, you're halfway through designing; as soon as you start thinking about whether something could be better, you're already halfway through a solution.
I taught everyone a very bad lesson at my publisher because they actually gave me deadlines this time and I'm now meeting them. I used to say, "Here's my book; it's six years late." I'm so much faster now, and work differently. With all the years of writing, I think I still draft as obsessively, but I think back to writing. On your first story, you start at draft one. On your second story, you start at draft ten. On your third story, you start at draft one hundred. If you need a hundred and eight drafts, you may write eight instead of a hundred and eight.
That is an extremely important role: how white brothers and sisters laterally spread knowledge, insight, and challenge in a way that white brothers and sisters will not hear it from a person like me, necessarily.
From my parents, I learned a very strong work ethic, and all of my brothers and sisters all worked from the earliest days of life right through to the present time.
My absolute favorite song I've ever written is "This Is Where We Came In." It's a nudge at younger listeners, cause at one time you could go into a cinema halfway through a film and then stay through and pick up where you left off.
I am a technophile, so there is no such thing as a first draft. The first draft plunges on, and about a quarter of the way through it I realise I'm doing things wrong, so I start rewriting it. What you call the first draft becomes rather like a caterpillar; it is progressing fairly slowly, but there is movement up and down its whole length, the whole story is being changed. I call this draft zero, telling myself how the story is supposed to go.
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