A Quote by Patrick deWitt

All the books I was reading as a teenager were about individuals having adventures. So I thought that was what writers were supposed to do: to go out on the road. — © Patrick deWitt
All the books I was reading as a teenager were about individuals having adventures. So I thought that was what writers were supposed to do: to go out on the road.
The charged life, then, usually calls to us after we have done what we were supposed to do, become who we thought we were supposed to be, lived as we thought we were supposed to live. Then the safety and comfort and compromise get to us, and a stirring of restlessness and revolution sends us off in search of greater adventures and meaning. From THE CHARGE
The story of our band is that we were this relentless touring band in those early years. We were leaving day jobs and going off on the road and having fun and seeing the country for the first time. We were playing Chinese restaurants and basements and record stores and houses. We were crashing on floors and it was all new and exciting. It was like a vacation. It didn't feel like work. I couldn't wait to go on tour back then. I would be sitting at my day job or my apartment, just itching to go. There were so many adventures that were about to happen.
In company with people of your own trade you ordinarily speak of other writers' books. The better the writers the less they will speak about what they have written themselves. Joyce was a very great writer and he would only explain what he was doing to jerks. Other writers that he respected were supposed to be able to know what he was doing by reading it.
I remember one letter from a girl in a midwestern town who read one of my books and thought she had discovered it- that no one had ever read it or knew about it. Then one day in her local library she found cards for one or two of my other books. They were full of names- the books were borrowed all the time. She resented this a bit and then walked around the town looking in everybody's face and wondering if they were the ones who were reading my books. That is someone I write for.
With the Holocaust - I wonder if a lot of Jewish writers of my generation have felt this way - it feels really intimidating to approach it. I feel like so many writers who have either lived through it firsthand or were part of that generation where they were closer to the people who were in it have written so beautifully about it, so there's no lack of great books about it
In the early '90s, when I really started to find my voice, I was reading a lot of books, and I was moved by the writers, like Chinua Achebe, and I wanted to be able to write rhymes that were as potent as what I was reading.
Think about the books that you were reading at a certain crisis in your life, what you were reading, and that's because you needed them to nourish your alma.
One of the things I loved about Black Sabbath was, when we were on the road, there were times we had been on the road for so long and we were tired and we were exhausted. We would show up at gigs and we were so tired that we would be fast asleep in the dressing room. Our road manager would come in and say, '20 minutes, guys.'
The appeal of reading, she thought, lay in its indifference: there was something undeferring about literature. Books did not care who was reading them or whether one read them or not. All readers were equal, herself included. Literature, she thought, is a commonwealth; letters a republic.
I personally, as a teenager, didn't like books I felt were trying to preach to me... I did not believe in happy endings. I wanted to read books which reflected life as I thought I knew it.
In real life, writers tend to be quite boring, but in our books, we're having exciting adventures all the time.
All the time I was plowing through books on dyslexia, I found myself asking: what if, what if? What if you were a kid the 1950s with this condition, when there were no books on it, when there was no understanding of it. I remember kids in my class at school who just didn't seem to progress in their reading. There was no extra help. People just thought, "Oh, he or she isn't so bright, or they're obstinate."
If things aren't as successful as you thought they would be, sometimes that's not the worst thing that can happen. Sometimes that can be the best thing to push you in another direction that you were supposed to go in. Or to have an experience that you were supposed to have to grow.
Our house was littered with books- in the kitchen, under the beds, stuck between the couch pillows--far too many for her the ever finish. I suppose I thought if my grandmother kept up her interests, she wouldn't die; she'd have to stay around to finish the books she was so fond of. "I've got to get to the bottom of this one," she'd say, as if a book were no different from a pond or a lake. I thought she'd go on reading forever but it didn't work out that way.
We all just kinda did everything we thought we were supposed to do and girls dated the guys they were supposed to and did things with the guys they were supposed to.
There were books everywhere in my house. Books were very present. I just loved books. I never understood reading as anything but a pleasurable activity from a very young age.
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