A Quote by Patrick Duffy
I personally never thought that 'Dallas' would resurrect itself because I didn't think anybody knew how to do it. And it was proven to me on the few attempts that were made. The movie that was going to be done, I read that script, it was atrocious. It was just awful. And I just didn't think anybody understood it anymore.
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I think Memento movie was hard because people didn't get it, they just didn't understand it. Not from the stage when we read the script and liked it. It's sort of a famous story now how we finished the movie and showed it to distributors and nobody wanted it. So it wasn't just they didn't get the script, they really didn't even understand the movie when it was done. But I think that was a particularly hard one. I don't think it was harder because we were girls, but I do think obviously there are particular challenges to working in a male-dominated industry.
Everything I do is intended to make people laugh and think. I just think something is funny, it's not hurting anybody, not stabbing anybody, not shooting anybody, not making anybody watch me perform. There are thousands of comedians, don't come see me because it's not like I hide it.
They didn't send me the script for Scary Movie 4 because the script was very secretive. So I never did get one actually. But it is David Zucker and there is complete trust. So I read my scenes and I thought they were really funny. I thought it would be a riot to play the blind girl.
I dabbled a little bit in acting in high school, and then I forgot about it completely. And then at about 25 I went to a class. I don't think anybody in my family thought it was an intelligent choice. I don't think anybody thought I'd succeed, which is understandable. I think they were just happy that I was doing something.
I dabbled a little bit in acting in high school and then I forgot about it completely. And then at about twenty-five I went to a class. I don't think anybody in my family thought it was an intelligent choice. I don't think anybody thought I'd succeed, which is understandable. I think they were just happy that I was doing something.
I just want to make something that is true to itself and that interests me; otherwise, how can I have the audacity to think it's going to interest anybody else?
With what all these people are saying, do you think that anybody wants to be around me? They all think that I did this on purpose? That I knew that I was positive, for so many years? I feel now that I'm going to be attacked if anybody sees me or if I go to the office.
I read the script [ of 'Steve Jobs' movie ], and it was very, very good. I wasn't sure they would want me to be in the movie, but I auditioned for it. Which I hadn't done in a few years. But I had auditioned in the previous few years for another movie that I did not get the part. And so my track record wasn't good. But I really wanted to audition because I was worried that I was going to blow it, and I wanted it to be on them for choosing me.
We feel an affinity with a certain thinker because we agree with him; or because he shows us what we were already thinking; or because he shows us in a more articulate form what we were already thinking; or because he shows us what we were on the point of thinking; or what we would sooner or later have thought; or what we would have thought much later if we hadn’t read it now; or what we would have been likely to think but never would have thought if we hadn’t read it now; or what we would have liked to think but never would have thought if we hadn’t read it now.
I took opera lessons. I can't read music to save my life, but I would just copy and get away with it. I think that they thought I could read music, but I can't. I would just listen. It was really me just mimicking. That's one of the reasons I decided I didn't want to do that anymore.
I don't think there is anything wrong with watching violence but I just think you have to present it in the appropriate light. I was like just watch how many accidents and deaths horror causes. Whereas I don't think anybody is going to go: "Oh, I just saw The Shining and I think I'm going to go axe somebody!" These movies aren't for everybody. The dark side of anything isn't for everybody. I think that you have to have some sort of responsibility in how you portray it because I always want the violence to seem real and if it seems disgusting then good, because it should.
When you're making a movie, you can't think anybody will ever see it. You've just got to make a movie for the values it has. The greatest films were made because someone really wanted to make them. And, hopefully, the audience will show up, too.
I don't think about the reader in any conscious way that impacts the writing, as far as, Hey, most readers would like this! But at the same time, if it were presented to me: "John, you're going to write a novel. It's going to take you a few years. When you're done with it, there's a law that no one's allowed to read it." I don't think I would write it. I want someone to read it!
I always think it's interesting to switch genres, because if I read a script and I know exactly how to manifest a story, I don't really want to do it anymore, because I've already done it in my head.
We never made attempts to say we were anybody's role model or the be-all-end-all of what people should look up to. We have always just been very open about the fact that we have difficulties and we are messed-up people, just as our fans are.
I'll be honest with you, one of the things that frustrated me the most out the record leak thing, it had nothing to do with record sales - I mean, that's a joke. Has anybody looked at how many records anybody sells anymore? If you're not Jay-Z, a record leaking isn't going to affect you. It was just really personal.
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