A Quote by Patrick Duffy
When I was on 'Dallas,' I was known to audiences of the '80s. And then when my sons, who are in their 30s now, were going to college, 'Dallas' was the cult thing to watch because it was being done on the soap channels, so a whole new generation saw it. And then I have the young fans that knew me from 'Step By Step' in the '90s.
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Coming out of Dallas and doing commercial work in Dallas - if you had improv background in Dallas, then you were instantly shot to the top of the list of commercial bookings because they loved improvisers because you could elevate the material.
I quit it because at the end of seven years in an ensemble show with one leader, I thought: 'I will be known as 'Dallas' starring Larry Hagman and the cast.' And at this point in my career - I was in my mid to late 30s - I thought, 'Now is the time when it's hottest for me to go out and establish my thing.'
I'm from Dallas, so I totally get the whole thing. I understand the history and on how big of a scale 'Dallas' was and still is.
The '90s were a party, I mean definitely maybe not for the grunge movement, but people were partying harder in the '90s than they were in the '80s. The '90s was Ecstasy, the '80s was yuppies. There was that whole Ecstasy culture. People were having a pretty good time in the '90s.
It's was all the internet. I started writing songs in high school, right about the time of the onset of Napster. I went to college in Dallas, and when I'd get back from class I'd have fans emailing me from different areas of the country asking when the album was going to be out and when I was going on tour. It was crazy, because I didn't even consider myself a professional musician.
They couldn’t have known that even this was a lie—that we never really choose, not entirely. We are always being pushed and squeezed down one road or another. We have no choice but to step forward, and then step forward again, and then step forward again; suddenly we find ourselves on a road we haven’t chosen at all. But maybe happiness isn’t in the choosing. Maybe it’s in the fiction, in the pretending: that wherever we have ended up is where we intended to be all along.
I personally never thought that 'Dallas' would resurrect itself because I didn't think anybody knew how to do it. And it was proven to me on the few attempts that were made. The movie that was going to be done, I read that script, it was atrocious. It was just awful. And I just didn't think anybody understood it anymore.
Draft night for me - I watched it in my dorm in college. And it started off with just me and a friend, because I knew I probably wasn't going to get picked right away. I thought it was going to be a little later. But, you know, you watch the whole thing. You never know what might happen, so you gotta watch.
I started my career in Dallas, yes. I was born and raised in Dallas. I started my career there when I was very young. My guitar was bigger than I was. That's how young I was.
I was brought up in the '80s. I was born in 1975. So by the time I got to 10 and I kind of knew that I probably was going to have to be a grown-up lady at some point, the feminine role models that I had were kind of the cast of "Dynasty" and "Dallas." And I just found that terrifying.
There is some level on which this life must occasionally become repugnant and unappetizing to you and you must step back from it. And then you have a new relationship with it, and then you step back into it from a different angle - with a new appetite - and then you find the next leg of your journey.
In each experience of my life, I have had to step out of one little space of the known light, into a large area of darkness. I had to stand awhile in the darkness, and then gradually God has given me light. But not to linger in. For as soon as that light has felt familiar, then the call has always come to step out ahead again into new darkness.
I wanted to play for the Dallas Cowboys, and now I'm fighting in front of the Dallas Cowboys and Jerry Jones.
I realized, if I don't step into the spotlight, and the person next to me doesn't step in, and the people around me don't step in, then who will?
With all the new technology, DVD's, Blu-Ray's, NetFlex, everyone has access to older movies. There is a new generation now of Freddy fans. Fathers that saw the movie originally, these guys are dads now, and they let their kids watch them.
There were choices that we've made as a Little Dragon, that we had to make at the time because we needed the money. I think everything has its context. It is way easier to say no to things now then it was five years ago, for sure. Back then we were grabbing at every opportunity we could just to sustain a name and let people know, "Hello, hello! We're here! Look at us!" It's really sort of taken its time and grown, and it's been a very step-by-step process.
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