A Quote by Patrick Fabian
You make a horror film that's not very good. You'd be joining a long line, in a long video aisle, of stuff that doesn't work.
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I want to work for a long, long time and keep growing in my work, and if I am very lucky and very blessed, maybe somewhere along the line there will be one movie in there that becomes a classic.
[My work] looks very cinematic because it's not abstract video art. It's sometimes very narrative and since I play with film grammar in my video work, making a feature film was almost the same challenge.
I'm not someone who enjoys long talks, long rehearsals. I'm very technical: I tell my actors, you come in, you sit down, you pick up a coffee, you look here, you say the line. We try it with the cameras rolling, and if it doesn't work, we adjust it until it does. It's very simple.
I loved 'Jaws.' I think that is not really a horror film, but it made me afraid of the ocean for a very long time.
For as long as there's life, for as long as we have things happening in the world, for as long as people haven't been able to work it, for as long as people are not trying to work it out, for as long as there's crime, destruction, hate, bigotry, for as long as there is a spirit that does not have love in it, I will always have something to say.
There is work to do; that is why I cannot stop or sit still. As long as a child needs help, as long as people are not free, there will be work to do. As long as an elderly person is attacked or in need of support, there is work to do. As long as we have bigotry and crime, we have work to do.
In the film industry you work very long hours, and making a film is a very intense process.
I want to be creative in as many different environments as possible, whether it's doing film scores, writing for TV ads or video games - all sorts of stuff, as long as it requires writing music.
I do not make any apologies for my manner or personality. I come from a long line of very strong, black African-American women who neither bend nor bow. I haven't had very good modeling in submission.
When you've been playing the game for so long and sports for so long, it can take a toll on your body, and that's what we're putting on the line, and that's what our argument is as players when we're doing negotiations and stuff like that.
I come from a very long line of very superstitious Romanian women who hold on to their chastity probably way too long.
With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.
In The Shining, you love Shelley Duvall. You love Jack Nicholson. You're let into the intimacy of that violence and it's emotional and it's physical. We're let in very close. So I think a good horror film has to pull you in very deeply inside. Halloween is a good horror film because we love Jamie Lee Curtis, we're brought very deeply in right when she's babysitting the kids. She's going from house to house, all those houses have windows that you can look in. We're a very vulnerable and exposed audience.
I have an Honors Degree in Drama from the University of Alberta, but when it was done I knew a life in modern theatre was not for me. While figuring out what the hell I might do instead of theatre, I spent a couple of days on a horror film doing stunt work. I'd never been behind the camera before, and I loved everything about it. I joined the local film co-op - The Film and Video Arts Society of Alberta - because you could trade skills for experience. These indie filmmakers were making their own stuff their own way, all the time. Instant education.
I can't make something 'useful' to me in a writing sense for a very long time. I don't have any journalistic instinct. And I do keep a journal, but it's neither very revealing nor fruitful for work. Stuff just bubbles up from the swamp later.
The safest genre is the horror film. But the most unsafe - the most dangerous - is comedy. Because even if your horror film isn't very good, you'll get a few screams and you're okay. With a comedy, if they don't laugh, you're dead.
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