A Quote by Patrick Fabian
For me, there's still plenty of ground to be covered, as I get older. It's worked out great so far. I take it one job at a time. I'll just keep my eyes toward the next job and see where it takes me.
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I used to just take every job that seemed relatively appealing. But now I take a job and it's in the trades the next day - it feels like people are watching and waiting to see what you do, and when you do take a job, attention is noted.
KWMR is my radio station, and I intend to have a job there as I get older. That's what I'm lobbying for. They don't need me. They've got plenty of people. But let's see if I can make myself indispensable.
Loving you is a full-time job. It's a great job, don't get me wrong. It's the best job in the universe. But it's not easy.
People have this belief that actors are able to go out there and say, 'Oh I choose this job,' but most of the time we're just taking the job we can get. We don't just get offered thousands of jobs; we might earn one job a year and that's the one we'll take because we've got to pay the rent.
I spend plenty of time in London and it doesn't scare me, but it's a lonely place, even if you've got friends there. My job takes me all around the world, meeting lots of interesting people. But I think if I couldn't get home, if I couldn't get back to what I consider my real life I'd be frightened.
Every job I take, within minutes I'm thinking, 'I can't do this.' I think it's what makes me work. People think I just swagger in and do it. But I doubt myself all the time. It's what pushes me, what makes me work harder. The older I get, the less I take for granted.
Every job I take, within minutes Im thinking, I cant do this. I think its what makes me work. People think I just swagger in and do it. But I doubt myself all the time. Its what pushes me, what makes me work harder. The older I get, the less I take for granted.
When you're working as an actor, you don't think that when you get out of school, it's going to be so hard to get a job. Just to get a job. Any job. Whatsoever. You don't think that people are going to see you in a certain way. Uta Hagen said this, "In my life, I see myself as just this, you know, kind of flamboyant, kind of sexy middle-aged woman. And then I see myself onscreen, and I go 'Oh my God.'" And it's the same thing with me. I didn't see myself any different from my white counterparts in school. I just didn't!
There's nothing worse than an anxiety-filled, fearful actor who just needs that next job, because they're not gonna get that next job. Any time I got a job that made me feel good about myself, or made me feel, "Hey, I'm working my way up," then good adds to good. Because it makes you feel better about yourself, and that makes you more attractive, I think.
I've been through periods where I haven't worked and would have paid someone to give me a job - I think that's really helped me feel very grateful to have a job, even when I have a call time of 3:30 A.M. My mom laughs when I text at 4 A.M saying, 'I love my job.'
If you don't have the good fortune to work a lot then you take any job you get offered, whether it's a good job, fun job, a bad job, horrible job, whatever, you just take what you need to take. But I'm lucky in that - at the moment anyway and hopefully forever, but who knows - I get the chance to pick jobs for the kick of it and the fun.
My dad told me this a long time ago, never worry about what your next job is, just worry about what you are doing right then. As I grow older, I couldn't agree more with that advice. Sometimes you get so worried about what's next that you fail to appreciate what you have.
That's a part that's always a challenge for athletes: trying to keep the passion alive while knowing it's still your job. There's no question that at some point, probably sooner rather than later, I'll be pretty burned out. And when that time comes, then I'll take a step back and take a look at it and see if I want to keep going.
I remember my father telling me that just like Troy, he could get me in with the water department where he worked in New York. He talked about how he could get me on the job, and if I stayed 25 years, I could probably work my way up to be a supervisor and how it was a good union and all of the benefits and that I was going to make $20,000 in 50 years or whatever it was. He couldn't see that far.
I'm hired to do a job. They expect me to do a job, and that job requires me to get my butt up and get back to the huddle, get the play and go do it another time. And until I can't physically get up, I'm going to do that.
I still have a full-time day job, which is why it took me five years to write An Ear to the Ground, and why I won't have another book finished by next week.
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