A Quote by Patrick Geddes
It is interesting sometimes to stop and think and wonder what the place you are currently at used to be like in times past, who walked there, who worked there and what the walls have seen.
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Since the time I resigned, I sometimes wonder whether creating 8chan was a good thing. I sometimes wonder about the things that I said in the past while I was being its admin. Sometimes I think I should have been harder on violent threats. I think maybe I should have worked much harder to improve the moderation systems.
I don't think I've worked with anyone where I haven't seen some progress. Now sometimes you can't take someone where they want to go, not all the way, and sometimes you stop, and they do it or don't do it on their own thereafter.
I have walked around the same streets so many times, and then seen a place that had been hidden to me. I now know the sites in a way that makes me think I could have made better use of the connections between place and snowball.
I don't think you could function on set if you think like that. I think once you start to think of the impact, then you're not really coming from a truthful place. I think the best thing to do for me is what's worked in the past.
When I'm driving past the place I used to work, or when I'm driving past the comedy studio where I used to take photos in exchange for classes, or when I'm driving past the yoga studio I used to clean on the weekends - it's not that far removed from me yet. I get very sentimental over things like that.
In a dream I walked with God through the deep places of creation; past walls that receded and gates that opened through hall after hall of silence, darkness and refreshment--the dwelling place of souls acquainted with light and warmth--until, around me, was an infinity into which we all flowed together and lived anew, like the rings made by raindrops falling upon wide expanses of calm dark waters.
I think I've seen 'Sleepless in Seattle' like 40 times... I've seen 'Harold and Maude' like 50 times probably.
There's been times where I sold the place out, and I walked in and the guy's like, 'Uh, ID?' 'No, you can't ID me, man. I just sold this place out.' People are just doing their jobs, but I think if you're working the door at a venue where there's a headliner, you should at least be like, 'OK, this is the dude.'
People get sick and sometimes they get better and sometimes they don't. And it doesn't matter if the sickness is cancer or if it's depression. Sometimes the drugs work and sometimes they don't. Sometimes the drugs work for a while and then they stop. Sometimes the alternative stuff works and sometimes it doesn't. And sometimes you wonder if no outside interference makes any difference at all; if an illness is like a storm, if it simply has to run its course and, at the end of it, depending on how robust you are, you will be alive. Or you will be dead.
It's always interesting - how do you actually convey thought through song? We're used to the convention on stage. In film, we used to be used to it, and now sometimes it works and sometimes it doesn't. You need to be fresh and really look at the material.
I have to know" "What? What do you have to know?" "What you taste like." Another step. What happens when you know?" she rasped. "I stop wondering. Stop dreaming of you every night, thinking of you every minute of every day." Another step closer. "I think you wonder, too. I think you dream of me and wonder. You hate yourself for it. You hate me for it, but you cannot stop.
L.A. is such a real, active place. My mother was very into the core of the city. She worked in politics, and you have to know your territory. It's an active matrix; we're all parts of it, but people don't often stop to wonder what's going on.
Sometimes I feel tomorrow is the last. Some days I feel like I can go for years. I think my goal is that I enjoy coaching. I don't think I want to stop working. I think my dad worked in steel work for almost 50 years. The minute you saw him stop working you could see him go apart. I don't want to do that.
We're bombarded with images. Take the time to stop and look at something then connect with them and maybe they're thinking the same thing, I used a lot of devices to catch the eye of people who have seen a lot of stuff, having worked in advertising and in editorial. I have learned to get someone to stop and look at something, that language.
I do get recognised, but if I'm in a restaurant, I'll get one person noticing me, not the whole place. It is uncomfortable when people try and sneak a picture; sometimes, I don't feel like being seen. But I don't stop myself doing stuff. I go to Barry's Bootcamp and yoga just like anyone else.
The brick walls are there for a reason. The brick walls are not there to keep us out. The brick walls are there to give us a chance to show how badly we want something. Because the brick walls are there to stop the people who don’t want it badly enough. They’re there to stop the other people.
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