A Quote by Patrick Heusinger
I'm not a method actor but it certainly does help to have that kind of dedication. I treated my preparation like I was in the military. I didn't go out ever. I went out for drinks probably twice in five months. I lived very monastically.
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No one is really a method actor, everyone has their way of going about it, preparing for it, but method is preparation, it's what you do to prepare. So my method is to read the script. Some actors' method is to read the script a hundred times and in the doing of it, to immerse themselves in as much of the reality as possible. Me, I believe strictly in acting. If I am out of breath, I'm out of breath. I ain't running nowhere.
I definitely consider myself a Method actor, because of my training. I might dispute what people consider a Method actor to be. For my money, a Method actor is an actor who has a technique. That has a method. And not one method, but whatever might be required. So a Method actor is always learning.
LSD should be treated as a sacred drug and receive corresponding preparation, preparation of quite a different kind than other psychotropic agents. It is one kind of thing if you have a pain-relieving substance or some euphoriant and (another to) have an agent that engages the very essence of human beings, their consciousness.
Some of the most interesting and happiest kids I've seen have lived with a lot of different adults, because a kid can go up to one guy and wear him out. And as soon as the adult gets tired, there are five other guys, or five other chicks to go and wear out, and the kid gets to be very bright - and tolerant, you know, with that many kinds of people around.
I used to go out there and think I've got to do this to help better the sport - I've got to go out there and run top five and try to win a race. Now I just go out there and do my best, and hopefully it settles it.
As a fast bowler, if you are out of the game for five months, then that can be catastrophic, but to be out of the game for five years was very tough, and to make a comeback after such a lengthy period with no cricket behind me was a difficult ask.
One of the reasons that I'm still in the military - or I stayed in the military - is because I think the military has been a place where certainly people could improve, advance, and were treated fairly.
Continuity was the kind of place where anybody who came into the city from out of town to deliver some work could come over and hang out and we'd go down and have a few drinks.
Usually, one of the first things I think about when I'm developing a character is what they're wearing. I mean, it sounds very cheesy and very actor-y, but it really does help me figure it out.
To work for months and months and months, you kind of spill blood and give your heart and soul to something, and then you just sort of let it out into the universe and hope that people like it. How you see it in your head is never how you see it on the screen, so it's almost like an out of body experience.
My friends have noticed that if I suddenly go through a couple of months' unemployment, there seems to be a correlation that I don't ever tend to wear the same outfit twice. There will be such strange combinations of clothes because I'm probably a bit creatively stifled, so it's coming out in my wardrobe.
I've gotten to go to far-off places in the world, have very unique, isolated, intense experiences for four or five months at a time, and then, kind of like a dream, those things disappear. You may see those people again, but it's never, ever going to be as intense as it was for that time period.
I begged my parents to let me go to LA for three months just to try it out. Three months turned into five years.
To work for months and months and months, you kind of spill blood and give your heart and soul to something, and then you just sort of let it out into the universe and hope that people like it.
Very often with an American movie, the end is very happy and you just feel good when you go out. When you go to a French movie, it's kind of like, "oh!", and you can't go out; you're stuck in your chair. It goes so deeply inside of the heart.
Very often with an American movie, the end is very happy and you just feel good when you go out. When you go to a French movie, it's kind of like, oh!, and you can't go out; you're stuck in your chair. It goes so deeply inside of the heart.
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