A Quote by Patrick Heusinger

I'm a trained actor and I can always tone it down, I can always simplify the work I've done. But if I'm asked to bring the nuanced and complicated work, I'll have it in my pocket, and all that information helps.
I've always played down the drama in my films. In my main scenes, there's never an opportunity for an actor to let go of everything he's got inside. I always try to tone down the acting, because my stories demand it, to the point where I might change a script so that an actor has no opportunity to come out well.
We can do a bit of blaming: the proliferation of devices means we're always at work, always on call, always available. Physically leaving the office isn't a declaration of being off work anymore; your office is in your bag or pocket.
Everyone has complicated lives, but the more you can simplify it and make it work for you, the better it is going to be.
There are a lot of actors who are doing dream work where they focus on a role and try to bring it into their dreams. I haven't done that work, but I've always found that when I'm studying for a role, the work I'm doing somehow manages to enter my dreams, no matter what approach I take.
I grew up with it. As a young actor, I was always aware of the brilliant work of Shakespeare. We studied Romeo & Juliet and Macbeth in school. As a young actor, you're always mystified and intrigued by such brilliant work. To actually have the chance to be involved in this production was a wonderful thing for me.
Screen work always boils down to that moment between the camera and the actor or the actors. It always boils down to that, ultimately. You serve the camera.
I trained and worked really hard all my life in dance classes. I always fell into the shadows of my mother, and it was hard for me to really realize that I had done the work. Yes, she took me to the best teachers, but I did the work.
I wanted to play roles which offered new ways of viewing black women and black people in general- and I have done that. And I have always, whether I needed to pay the rent or not, I've always turned down roles which I thought were stereotypical. And so when I look at my body of work in that respect, I am really happy. Because I feel my work does say something positive and that was what I always set out to do.
I had to go in and do the work of toning [invented "historical" bits] down in order to make them fit [in Lincoln in the Bardo]. It's like if you're an actor and you're always overacting, well, you're a bad actor. But if you're an actor who subdues yourself to the extent that's necessary, then you're really acting.
I think awards are good for the movie. They can bring a new audience to the movie. I've always claimed that things like that don't get you work. Work gets you work. That's my blue-collar, protestant work ethic.
I just work in order to improve myself as an actor which is what I've always done.
I am not trained to be a director or an actor. I have learnt everything by watching other people work and studying their work.
I'm so excited about 'Shattered;' it's something I've really enjoyed working in, and it's very different from anything I've done before. I've always been a character actor and done a lot of support work. I've never really been the lead actor, so I'll try and use what I've learned along the way from the other projects.
If I find a great idea, I work on it at the beginning, then bring in other people to make things work. Actually, I've always been good at getting out of work.
God helps those who work, not those who are idle. No one helps an inactive person, but one who joins in the labor. The good God himself will bring...work to perfection.
You are often asked to explain your work, as if the reader isn't able to work it out. And people always try and label you by your work.
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