A Quote by Patrick J. Adams
I fell in love with acting, just going to a lot of plays. My parents went to a lot of plays, and I went to a lot of schools that would get plays for kids.
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When I was a kid I really liked the guitarist of The Doors [Robby Krieger]. He plays blues, but he plays a lot of melodic things. He plays scales that are kind of unusual, and some bent notes.
I'd love to have written a film and it to be regarded as good. I'd just like to be doing things that are good, really. I think that's all you can aim for. I find it odd when actors say they just want to do films or plays or television. A lot of films aren't very good; a lot of television isn't very good; a lot of plays aren't very good.
The greatest joy I get is setting up plays for somebody else. I take a lot of pride in helping other people make plays.
There weren't many plays for me. A lot of my stats came off broken plays, or when I didn't allow the options to play out and just took the shot.
It honestly feels like high school or college all over again. You're comfortable; you see the game. You've seen a lot of ups and downs, a lot of good plays and bad plays. They're all in the back of your head. It's all just experience over the years. There are guys that play well as rookies, but it's hard.
My family is all musicians - my dad plays drums, my mom plays flute, my older brother plays drums, my little brother plays drums and piano. For some reason, I didn't get the memo, so I just play bass.
I was in the school plays, I did a lot of music. I carried on through university for short films and loads of plays.
I spent so many years of my life as a stage actor and when you do all these plays, a lot of really great plays are very politically driven. They deal with deep social issues, and that's the kind of stuff that I love, as an audience member.
I went into this job to do plays, but that's here for 10 weeks, and the rest of the year I do a lot of other things-the administrative work of planning, reading plays.
Broadway's never my end goal because of the plays I write. These are tough plays. Of course there's a lot of humor, but my goal is just to reach as wide an audience as possible, however that happens.
I always loved theater and acting in plays and directing, writing little plays and directing friends in plays.
A lot of quarterbacks have big arms and can make all the throws, but the most important thing is knowledge of the game, controlling the offense and, more than anything, limiting mistakes. Knowing what good plays to get your team into at the line of scrimmage and what bad plays to get out of.
I don't believe really good plays - interesting plays, complicated plays - can mean just one thing to every single person in the audience.
When I was a kid my father would read Neil Simon plays with me when I was going to bed, as bedtime stories. All of these old plays like The Odd Couple and Lost in Yonkers - funny but corny plays about Jewish New Yorkers in the mid-20th century.
I don't write political plays in the sense that I'm writing essays that are kind of disguised as plays. I would really defy anyone to watch any of my plays and say 'Well, here's the point.'
I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
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