A Quote by Patrick Kavanagh

Poetry is not Irish or any other nationality; and when writers such as Messrs. Clarke, Farren and the late F. R. Higgins pursue Irishness as a poetic end, they are merely exploiting incidental local colour.
My biggest poetic influences are probably 20th-century British and Irish poets. So I suppose I'm always listening for the music I associate with that poetry, the telling images, the brevity. I want to hear it in my own work as well as in the poetry I read. However, I think I'm generally more forgiving of other poets than myself.
In all cases where incidental powers are acted upon, the principal and incidental ought to be congenial with each other, and partake of a common nature. The incidental power ought to be strictly subordinate and limited to the end proposed to be obtained by the specified power. In other words, under the name of accomplishing one object which is specified, the power implied ought not to be made to embrace other objects, which are not specified in the constitution.
The expedition of Messrs. Lewis & Clarke for exploring the river Missouri, & the best communication from that to the Pacific ocean, has had all the success which could have been expected.
I always think of Ireland as a place for complex ideas and prose. I like Irishness. I like Irish culture and Irish literature.
The Irish Free State was one of dozens of new European democracies to emerge from the cauldron of the 1914-1918 war. It was one of the very few that was still democratic in 1939. This book shows how the steely determination of one man, Kevin O'Higgins, made this possible. O'Higgins faced down mutinies in both the Gardai and the Army. He dissolved the Dáil Courts which were a parallel system that might easily have undermined the conventional courts. With WT Cosgrave, he put through a constitution which reconciled the local opponents of independence with the new State.
The English and Americans dislike only some Irish--the same Irish that the Irish themselves detest, Irish writers--the ones that think.
I am not a Jew in the sense that I would demand the preservation of the Jewish or any other nationality as an end in itself. Rather, I see Jewish nationality as a fact and I believe that every Jew must draw the consequences from this fact.
Other people have a nationality. The Irish and the Jews have a psychosis.
I don't think contemporary writers spend a lot of time reading each other. Particularly writers of the same nationality.
No one would ever cast me as an aristocrat. I think the big thing about being an Irish artist is access to melancholy. Especially the American Irish. The availability of loss, some kind of pain, is an important part of who we are. I think my Irishness gave me that.
I'm representative of 21st century Irish design, so I promote Irishness all over the world wherever I go.
An entirely new factor has appeared in the social development of the country, and this factor is the Irish-American, and his influence. To mature its powers, to concentrate its action, to learn the secret of its own strength and of England's weakness, the Celtic intellect has had to cross the Atlantic. At home it had but learned the pathetic weakness of nationality; in a strange land it realised what indomitable forces nationality possesses. What captivity was to the Jews, exile has been to the Irish: America and American influence have educated them.
I've written some poetry, but...songs have to be more poetic, and I've really gotten to this non-poetic sort of writing.
Irishness is not primarily a question of birth or blood or language; it is the condition of being involved in the Irish situation, and usually of being mauled by it.
There was engrained poetry and then when you look back at our history and in the 20th century, the last century, probably the greatest writers of the 20th century were Irish. It became our only weapon, was our poetry, our music.
No matter what nationality or color is champion, we Irish like to say that we have a heavyweight champion, Gene Tunney retired, who can come back and take the title at any time.
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