A Quote by Patrick Leahy

I'm not in good enough shape to be Batman. I'll just be Bruce Wayne. — © Patrick Leahy
I'm not in good enough shape to be Batman. I'll just be Bruce Wayne.
Bruce Wayne is Batman. He became Batman the instant his parents were murdered. Batman needs Bruce, however hollow that identity feels to him from time to time. Bruce keeps Batman human.
You don't have a Batman without Bruce Wayne. Batman is the edge or scary image for Bruce to use.
People fantasize about being a hero and helping someone in trouble. Batman is that fantasy realized-not just for Bruce Wayne, but for the audience. Inwardly, Bruce Wayne is still an adolescent watching his parents being murdered. That will never leave him. And people really relate to that.
I always knew the way in was Bruce Wayne. It wasn't Batman. It was never Batman. That was the key.
Batman doesn't use a gun. When Bruce Wayne thinks he had to resort to a street thug's level to defend himself and the girl he was rescuing, he decides he can't be Batman anymore.
People fantasize about being a hero and helping someone in trouble. Batman is that fantasy realized - not just for Bruce Wayne, but for the audience.
I'm kind of living a Bruce Wayne life and then morphing into Batman, but I'm glad now Batman comes out during the day. That's kind of like how drag was: we were called upon at night to make people smile and laugh and clap.
The idea of doing a buffer, sexier Riddler - I like that. I think he's a reflection of Batman, and I think of him like a scary, evil Batman. Like Bruce Wayne without a conscience.
I'm digging Batman. I'm digging that balance, that duality. He's always on the edge and trying to balance himself within the rules of what's lawful and justice, and being Bruce Wayne and being Batman.
If we made the 'Batman' games more realistic, you'd have to be Bruce Wayne for half the game, counting his money and dating supermodels.
Bruce Wayne needs a sense of humor to do his job. Batman, for a very long time, was going to a very dark place.
To me, Batman is definately Bruce Wayne's darker side. The challenge is playing it as two separate aspects of the same person. I have to create the illusion of a Dark Knight, who's mysterious and strong.
[Duke] is the same way that Harper Row is a character who doesn't want to know who you are beneath the mask, and that makes her interesting. She'll show up and help Batman, but she never wants to know if he's Bruce Wayne.
The secret to 'Year One' is that it's a Jim Gordon story. It's a great Bruce Wayne story, don't get me wrong, but Jim Gordon is the focus of that book. To me, that's the stronger emotional arc. It's not that the Bruce Wayne stuff isn't masterful, because it is, but it's Jim's book.
[Bruce] sees a lot of himself in [Batman], you know? You could argue that something even worse than what happened to Bruce happened to [Duke's] parents, who are now Joker-ized*. They're not just gone or irretrievably lost. And I'm NOT curing them, so you can put that out there! There's no relief from that.
Dichotomies are an inherent part of comics, aren't they? Comics are both pictures and words. They blend time and space. Many feature characters with dual identities like Bruce Wayne/Batman. Cartoonists also tend to live dichotomous lives because many of us have day jobs.
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