When you think about Broadway, you think broad and big, but the fact is there are so many plays that are very intimate, but fill a 1,500-seat house. Plays like 'Who's Afraid of Virginia Woolf?' have deep moments of silence and intimacy to them.
Through most of my life, music has been like a radio that plays and plays in my head.
I spent so many years of my life as a stage actor and when you do all these plays, a lot of really great plays are very politically driven. They deal with deep social issues, and that's the kind of stuff that I love, as an audience member.
I don't write political plays in the sense that I'm writing essays that are kind of disguised as plays. I would really defy anyone to watch any of my plays and say 'Well, here's the point.'
Despite the digital age, there is a very large number of venues and spaces that are looking for plays, and many of them are looking for new plays.
Oh, I was completely hooked on movies and plays and theater from the time I was a day old; I was very, very early on in love with movies and I loved plays.
Oh, I was completely hooked on movies and plays and theater from the time I was a day old - I was very, very early on in love with movies and I loved plays.
I mean I was very shy but I was also very extroverted because I was doing plays. I'd been doing plays since I was a little kid. But, I did feel like an outsider because I went to like a 'college-prep' kind of high school that had a really big football team and was known for its program so I was like this weird boy that did plays.
There were loads of plays which were very popular before and after the war, where everybody wore a dinner jacket in the third act and it was in a house that you wished you'd owned with people that you wish you knew. It was life seen through a very privileged way.
When I was young, I would write all the time. Novels, plays, and poems. It's like a disease - my life is filled with fantasies, and I have to write them all down.
Despite being in showbiz, I have a very real approach to my life. It plays off with my social life.
The thing I know how to do most is write a play. I came up loving plays and learning about plays and writing plays. I actually feel like an outsider when I'm writing movies and television.
I'd like to be in a position to have plays run through me and share the ball, make plays. Still score, obviously, but make plays, as well.
My daughter plays keyboard very well, and my son plays guitar, and they're totally into music.
When I first started writing plays I couldn't write good dialogue because I didn't respect how black people talked. I thought that in order to make art out of their dialogue I had to change it, make it into something different. Once I learned to value and respect my characters, I could really hear them. I let them start talking.
Well, all the plays that I was trying to write were plays that would grab an audience by the throat and not release them, rather than presenting an emotion which you could observe and walk away from.