A Quote by Patrick Marber

I think I write serious comedies. I would love to be able to write for pure pleasure, but the undertow is always loneliness. — © Patrick Marber
I think I write serious comedies. I would love to be able to write for pure pleasure, but the undertow is always loneliness.
I love romantic comedies. I have a deep respect for them. I think they're really difficult to write and write well.
There is a marvelous peace in not publishing ... I like to write. I love to write. But I write just for myself and my own pleasure.
I love to write and I assure you I write regularly... But I write for myself, for my own pleasure. And I want to be left alone to do it.
I like to write. I love to write. But I write just for myself and my own pleasure.
And write what you love - dont feel pressured to write serious prose if what you like is to be funny. You're a reader as well as a writer, so write what you'd want to read.
There's always stuff to write about. So it's very gratifying on a lot of levels. This is stuff I got asked over and over again, or heard about. People would ask me about it, but they kind of knew the answer. It would be this ongoing question: "Your fans are wondering, now that you're married, are you still going to be able to write songs?" I'm serious! I would get asked that!
The most important thing is you can't write what you wouldn't read for pleasure. It's a mistake to analyze the market thinking you can write whatever is hot. You can't say you're going to write romance when you don't even like it. You need to write what you would read if you expect anybody else to read it.
I don't write about anything I don't want to write about. I like to think I could write about anything pretty much that I chose to. I have been asked to write songs about specific things, and I've always been able to come up with the goods.
I think that books for young people should have serious and important themes, they shouldn't be trivial. So the books I write, they would be the kind of stories you would write in an adult novel only they just happen to feature a child at the center of them.
Melodies and ideas are always on my mind and always coming to me. I'm very thankful for that because if I didn't have whatever that is, that craziness, that openness, maybe, I don't think I'd be able to do what I really love to do, which is write great melodies and at least try to write great melodies.
I don't write because I think I have anything particularly interesting to say. I write because I love writing more than any other work I've done. I do think about entertaining the reader to the extent that I try always to write a book that I myself would want to read, but I don't think it's up for me to decide if what I've written is interesting to others. That is entirely up to others.
No music. No rituals. At home I write in my office or on the laptop in the kitchen where our puppy likes to sleep, and I love his company. But I've trained myself to be able to work anywhere, and I write on trains, planes, in automobiles (if I'm not the driver), airports, hotel rooms. I travel often. If I couldn't write wherever I was I would get little done. I also can write in short bursts. Fifteen minutes are enough to move a story forward.
I love to write humor. If I could make a living doing it that is all I would write. The happiest period of my life is when I was writing the sequels to "MASH". I was able to ridicule everyone.
Johnny Andrews can make me fly with his ideas for new songs. It has always been a pure pleasure to write with him.
I would stand and look out over the roofs of Paris and think, "Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know.
And write what you love - don't feel pressured to write serious prose if what you like is to be funny.
This site uses cookies to ensure you get the best experience. More info...
Got it!