A Quote by Patrick Murphy

I worked as a day laborer throughout college, worked for Deloitte and Touche, got my CPA. — © Patrick Murphy
I worked as a day laborer throughout college, worked for Deloitte and Touche, got my CPA.
So I never had trouble getting work or working or doing - I always worked. I worked when I went to college. I worked after school.
When I got out of college I worked for DC comics. I worked on staff there and I also freelanced for them for about a decade. I spent two years on staff as an editor right out of college. I'm from Los Angeles and I came back here after a couple of years in New York, to go to Graduate School at USC. I wasn't thinking specifically about animation although while I'd worked at DC.
I worked as an intern. I worked at a high school. I worked at a college newspaper while I was taking 18 credits while on the basketball team.
My paternal grandfather worked in the mill all his life. My father worked in the mill almost his whole life. I worked in the mill while I was going to college in the summers. And then, for one stretch, I quit school and worked one year.
I worked eight hours a day just so I could get into the college of my dreams and say that I got in - and I never went.
I got into acting because nothing else worked. I have done literally everything. I have sold magazines door-to-door. I've worked on an assembly line in a factory, a restaurant, the desk at a hotel. I've worked in statistical typing, taught school. You name it, I tried it, and nothing worked.
In high school, I worked eight hours a day just so I could get into the college of my dreams and say that I got in - and I never went.
I worked as an interior designer. I worked as a furniture salesman. I worked as a financial adviser. I worked as a painter and decorator - that wasn't for very long. I was a baker for about four-and-a-half years.
I worked in a dining hall in college and I worked at UPS for a full three weeks - it was the worst job I ever had.
I believe in God. I got down on my knees and I said, 'I get it. If this isn't for me, then it isn't for me.' And then a week later, I started working. I worked on 'The Following,' I worked on 'Elementary,' I worked on a pilot and then I got 'Orange.' So literally from that moment of deep surrender, that's when you're blessed.
My mother worked on a whole bunch of those; she worked on What's My Line?, I've Got A Secret, Play Your Hunch... In my memory, she worked on To Tell The Truth. So it was her job to brief the imposters.
I worked for everything that I got and I worked long and hard before I got to this point so when I got it I thought I deserve it.
I worked on the line, I've been an executive chef, I've worked for the Mets, I've worked for various steakhouses, vegetarian restaurants, a lot of Middle Eastern stuff. I've worked my fair share of a lot of different things. I've worked at festivals and street fairs, you know? I've been through it all.
I've worked with non-professional actors, I've worked with movie stars, I've worked with kids, I've worked with older people, and I've found my job as a director is to cast them well and to understand what they need on set to bring the material to life.
In the early 1970s, I got a milling machine apprenticeship at Vauxhall in Luton. My dad was a pattern maker at the factory. He worked every day of his life there and my brother worked there, too. I remember the pamphlets on all the new models arriving home.
As a young girl, I plowed the fields of our family farm. I worked construction with my dad. To save for college, I worked the morning biscuit line at Hardees.
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