A Quote by Patrick Ness
Just cuz yer going there and I'm staying here," I say. "It don't mean we're parting." "No," she says and I know she understands. "No, it certainly doesn't." "I ain't parting from you again," I say, still looking at our fingers. "Not even in my head.
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And when I say that is certainly true, that our marriage is over. I know what else she will say: "Then you must save it." And even though I know it's hopeless- there's absolutely nothing left to save-I'm afraid if I tell her that, she'll still persuade me to try.
Eleanor Roosevelt fights for an anti-lynch law with the NAACP, with Walter White and Mary McLeod Bethune. And she begs FDR to say one word, say one word to prevent a filibuster or to end a filibuster. From '34 to '35 to '36 to '37 to '38, it comes up again and again, and FDR doesn't say one word. And the correspondence between them that we have, I mean, she says, "I cannot believe you're not going to say one word." And she writes to Walter White, "I've asked FDR to say one word. Perhaps he will." But he doesn't. And these become very bitter disagreements.
These precious illusions in my head did not let me down when I was defenseless, and parting with them is like parting with invisible best friends.
Beware of parting! The true sadness is not in the pain of the parting; it is in the when and the how you are to meet again with the face about to vanish from your view.
My mother says to me, when I'm making a new movie, she says, "Oh, is Steve Buscemi in it?" I'd say, "Yeah." And she, "Oh, then it's going to be a good one." I swear to God, she says that every time. And when I say Steve's not in it, she says, "Oh."
I love you, Eliza,” I said. She thought about it. “No,” she said at last, “I don’t like it.” “Why not?” I said. “It’s as though you were pointing a gun at my head,” she said. “It’s just a way of getting somebody to say something they probably don’t mean. What else can I say, or anybody say, but, ‘I love you, too’?
The parents say, 'Can you talk to my daughter and say that it's OK? That she can have muscles?' They'll say, 'I show her pictures of you so they can know she's good at what she does but still looks like a girl. She wears dresses.' It releases people to be whoever they want to be in the sport.
I call my mom from the car. I tell her that Neutral Milk Hotel is playing at the Hideout and she says, "Who? What? You're hiding out?" And then I hum a few bars of one of their songs and Mom says, "Oh, I know that song. It's on the mix you made me," and I say, "Right," and she says, "Well you have to be back by eleven," and I say, "Mom this is a historical event. History doesn't have a curfew," and she says, "Back by eleven," and I say, "Fine. Jesus," and then she has to go cut cancer out of someone.
You'd have thought we planned it," says Peeta, giving me just the hint of a smile. "Didn't you?" asks Portia. Her fingers press her eyelids closed as if she's warding off a very bright light. "No," I say looking at Peeta with a new sense of apreciation. "Neither of us even knew what we were going to do before we went in." "And Haymitch?" says Peeta. "We decided we don't want any other allies in the arena." "Good. Then I won't be responsible for you killing off any of my friends with your stupidity," he says.
He leaned her back against the tub, setting her head on the edge, then washed her shoulders. "I know I left you once." She opened her mouth, wanting to say it didn't matter, it was forgotten. But it wasn't. "I know I hurt you." Again, she wanted to argue. But she couldn't. "I know I said I won't leave you again, but I also know that's not enough, and that the only way you're going to trust that I won't leave is if I don't". He slid the cloth over her arms. "If this ends, Hope, it won't be me that ends it. I think you know that.
I just want to be powerful and in charge, or crazy and in charge. Say anything I want, and still know everybody loves you. Or, you know, like Jessica Lange. She's not old-looking, but she's older and she's working on that America Horror stuff. Wicked.
I try not to judge my characters. If I'm looking at it from the outside, I'd say, 'No, she's not really a great mother.' But she wishes she were, and she wants to be, and she still has instincts toward protecting her son and wanting him to be a happy person.
Every meeting led to a parting, and so it would, as long as life was mortal. In every meeting there was some of the sorrow of parting, but in everything parting there was some of the joy of meeting as well.
She could've looked at the tiny miracles in front of her: my feet, my hands, my fingers, the shape of my shoulders beneath my jacket, my human body, but she only stared at my eyes. The wind whipped again, through the trees, but it had no force, no power over me. The cold bit at my fingers, but they stayed fingers. "Grace," I said, very softly. "Say something." "Sam," she said, and I crushed her to me.
His parting shot to me had been, "I don't want to love someone who is more at home with the monsters than I am." What do you say to that? What can you say? Damned if I know. They say love conquers everything. They lie.
I'm concerned about my daughter because she will not believe in Santa Claus. No matter what I say to her, she just doesn't buy it, and she's 2. I refuse to give it up. I say, 'There is a Santa Claus,' and she says, 'Okay, Mommy. In pretend world, right?' She really doesn't believe.
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