A Quote by Patrick Ness
The books I like to read the most feel like they've been written by somebody who had to write them or go crazy. They had to get them out of their heads. I like that kind of urgency.
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The bookstore was a parking lot for used graveyards. Thousands of graveyards were parked in rows like cars. Most of the books were out of print, and no one wanted to read them any more and the people who had read the books had died or forgotten about them, but through the organic process of music the books had become virgins again.
It had been startling and disappointing to me to find out that story books had been written by people, that books were not natural wonders, coming up of themselves like grass. Yet regardless of where they come from, I cannot remember a time when I was not in love with them - with the books themselves, cover and binding and the paper they were printed on, with their smell and their weight and with their possession in my arms, captured and carried off to myself. Still illiterate, I was ready for them, committed to all the reading I could give them.
I went off and read the books after the audition and I read all four books in one sitting - you know - didn't wash, didn't eat, drove around with them on the steering wheel like a lunatic. I suddenly understood why my friends, who I'd thought where slightly backward, had been so addicted to these children's books. They're like crack.
I really, really love children and I think probably among children is when I feel mostly berated. It's not like I feel like oh, there's some children here. I have to tone it down. I go nuts with children especially when I ain't got none. So when I'm round my mates' children, I jest them kids up first. I swear at them, I get more worked up, I say crazy stuff to them, fill their heads with nonsense and then I leave them.
I feel satisfaction at the end of the day when I've written a scene that I really like or when I write a good line of dialogue that I read out to my wife or something like that. But there's also days where it's just bloody agony and I go, 'ugh, this is such crap! Why did I think I had any talent?
Just to be in the locker room with the NHL players, go out to dinner with them, hang out with them. I feel like it was an invaluable experience and kind of like going to Harvard law school, I guess, because that's the best education you could get being around guys like that.
It had been startling and disappointing to me to find out that story books had been written by people, that books were not natural wonders, coming of themselves like grass.
If a fan approaches me and I feel like they have some kind of agenda, I'm probably gonna get real closed-off and not talk to them. But if I feel a connection with someone, or if I feel a certain trust with somebody, I feel like, 'You know what, I can open up to this person and tell them about an experience.'
I feel like the books were just written like a movie. You read it and you can just kind of see everything. Before I went in to read with the director, I read the first book and I loved it. I didn't realize how good the writing was. And then I went in and read with Gary Ross, and that was it.
I read books when I was a kid, lots of books. Books always seemed like magic to me. They took you to the most amazing places. When I got older, I realized that I couldn't find books that took me to all of the places I wanted to go. To go to those places, I had to write some books myself.
For the most part, my characters don't talk to me. I like to lord over them like some kind of benevolent deity. And, for the most part, my characters go along with it. I write intense character sketches and long, play-like conversations between me and them, but they stay out of the book writing itself.
If they won't write the kind of books we like to read we shall have to write them ourselves.
That the things that have impacted me most are not news articles written by older people that I would have no relation to; the things that impact me most are things written by people closer to my age. And I wanted to write things in a way where somebody my age could read it and feel like they are holding somebody's hand and be with somebody.
My books are written from the heart, to entertain: they're books I would like to read. Because of that, when I meet people who like them, we have so much to talk about!
I didn't think [Ella Enchanted] would get published. Everything I'd written till then had been rejected. If it was published, I thought it might sell a few thousand copies and go out of print. I thought if I was lucky I could write more books and get them published, too. I still pinch myself over the way things have worked out.
I had the habit of not accepting prizes or honors, but always, not out of humility, but because I don't like them. Maybe it's a little crazy, but it's good to have it, but I just don't like them.
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