A Quote by Patrick O'Brian
The function of the novel is the exploration of the human condition. Really, that's what it's all about.
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The writers are writing human beings, and they're writing about the human condition and how difficult it is to function in that condition. I think it's one of the charms of the show, the idea of redemption and working towards becoming better people, for everybody involved.
One of the things I admire so much about Atom Egoyan is that again and again he makes movies about the human condition, who we are, what we want, how we communicate to one another and this is also an exploration of a long-term relationship and what happens in it. There's human sexuality and all those kinds of things, so that helps - it all helps. You realise that I'm not a Playboy bunny.
My motivation is to get a deeper understanding and exploration of something that I want to know about the human condition. So, that's what I look for in the material I read: if it's asking a genuine question about a concept of the world that interests me. And also, it helps if it's a context that I find interesting.
The very function of creativity, of the elaboration of the human condition only enlarges the human spirit and, I mean, as a writer I don't want to read political literature all the time. It would be terribly boring and, you know, abrasive, but just reading the insights, you know, partaking of the insights of a writer into phenomena, into society, into human relationships, both on a micro level and on a macro level, is already a function.
And so, these are the things, the exploration of which, the singing about of which, makes us human beings. The exploration of the universe of the unseen is the business of human beings.
Curiosity is the essence of human existence and exploration has been part of humankind for a long time. The exploration of space, like the exploration of life, if you will, is a risk. We've got to be willing to take it.
It is fortunate that molecular synthesis also serves the utilitarian function of producing quantities of rare or novel substances which satisfy human needs, especially with regard to health, and the scientific function of stimulating research and education throughout the whole discipline of chemistry.
Good science and good art are always about a condition of awe. I don't think there is any other function for the poet or the scientist in the human tribe but the astonishment of the soul.
The point is, that the function of the novel seems to be changing; it has become an outpost of journalism; we read novels for information about areas of life we don't know - Nigeria, South Africa, the American army, a coal-mining village, coteries in Chelsea, etc. We read to find out what is going on. One novel in five hundred or a thousand has the quality a novel should have to make it a novel - the quality of philosophy.
I think that if there's one key insight science can bring to fiction, it's that fiction - the study of the human condition - needs to broaden its definition of the human condition. Because the human condition isn't immutable and doomed to remain uniform forever.
The novel has become a function of the fragmented society, the fragmented consciousness. Human beings are so divided, are becoming more and more divided, and more subdivided in themselves, reflecting the world, that they reach out desperately, not knowing they do it, for information about other groups inside their own country, let alone about groups in other countries. It is a blind grasping out for their own wholeness, and the novel-report is a means toward it.
Many people who talk about the discovery method of teaching are really talking about arranging a lesson or an experiment so that students discover what they are supposed to discover. That is not an exploration. The whole tradition of exploration is being lost for entire generations.
It's really about the work - if you are doing it for the right reasons - really to illuminate the human condition.
I'm really hopeful about the future of space exploration and human spaceflight. Civilization as we know it has been defined by exploration. You know, we need to go off and find out what's around the next corner and what's just beyond what we already know. It's part of our being; it's part of our moral fiber to go off and explore.
Published in 1947, 'The Plague' has often been read as an allegory, a book that is really about the occupation of France, say, or the human condition. But it's also a very good book about plagues, and about how people react to them - a whole category of human behavior that we have forgotten.
What art should be about,' they will say, 'is revealing exquisite and resonant truths about the human condition.' Well, to be honest - no, it shouldn’t. I mean, it can occasionally, if it wants to; but really, how many penetrating insights to human nature do you need in one lifetime? Two? Three? Once you’ve realised that no one else has a clue what they’re doing, either, and that love can be totally pointless, any further insights into human nature just start getting depressing really.
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