A Quote by Patrick Reed
I just kind of live in that world that everyone's upset with me. That's OK; I'll just go out and try and do what I do.
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When I trip, I feel like that's the world saying come here for a second. It just pulls me closer for a second, yeah what do you want? I just want to remind you that you're uncoordinated. I'm aware of that, thank you... can I go now? Yeah, you can go, but never ever try to outrun me. Ok, world, see you later. Yeah, I'll see you in about 50 years.
Sometimes when I go out on the road, I feel almost embarrassed or dismayed because I can't be the image of what kids want me to be. So I just try to be myself, and usually that works out OK.
We all just meet up and someone's house or the studio and we'll just jam and we'll lock into something that sounds cool. I'll go home with tracks of cool parts and work on words. Everyone in the band has a job to do and everyone knows their job and we all do it really well. So, when we're writing, we can just look at one another and say, 'OK, go write this part'. It's not just one person writing or producing everything - everyone's working to product what we have.
Well we usually just try to do a mix from all the albums so if somebody just has one they don't get bummed out that they don't hear anything from that record, then a couple songs you'll only hear live. Just kind of wing it you know? And sometimes on a tour you'll get with a set-list you like and you kind of just stick with that.
People take years learning how to act; it's a skill, not just a job. If I tried it out and thought I'd be OK, then perhaps I'd go for it, but it's not the kind of thing you can get into just because of your looks.
I don't understand people who just live to exist, live to be OK. Live to be regular, live to be average. It doesn't make any sense to me. I live to be the best. I don't live to be good. You only get one life, and I live to be great. I live to be special.
I just try to just roll with the punches. I mean, once the team pretty much starts closing out, just try to get in attack mode, and at the same time, try to find my teammates. It's kind of hard, hitting the shots I was hitting, to try and pass the ball, but you've got to figure out a way.
There are peaks, there are valleys. But they're all kind of carved and smoothed out, and it feels like a low level of despair you live in. Where you're not getting any answers, but you're living OK. And you can smile at the office. You know? But it's a low level of despair. I was on Prozac for a long time. It may have helped me out of a jam for a little bit, but people stay on it forever. I had to get off at a certain point because I realized that, you know, everything's just OK.
It just kind of continues to be strange and interesting to me to try to understand what other people are looking for. And this also just comes from getting older. You look at the stuff certainly that's coming out of Hollywood these days, and you go, "Did what came out of Hollywood when I was a kid make more sense, or was it just that I was in the demographic then?" But I certainly feel increasingly confused and disconnected from it.
One thing I see in a lot of coaches is they try to live through the fighter. You can't live through the fighter. You gotta allow the fighter to be the fighter, and do what he do, and you just try to guide him. Why should I have to live through a fighter, when I went from eating out of a trashcan to being eight-time world champion? I stood in the limelight and did what I had to do as a fighter. I've been where that fighter is trying to go.
If you just go out and try to make money by starting a business, you're going to come up with something that's just like what everyone else has done. But if you look at the world and see opportunities that can be taken more seriously, then you come up with a great idea.
We live in a world where not everyone has the urge to help others... It is OK to encourage others to pull themselves up by the bootstraps, but if you do, just remember that some people have no boots.
I just go out and try to make sense of the world around me.
I just kind of go about things the way I always have and just try to be me and hope for the best.
When I was in New York, the whole vibe was really just not matching with me. I was kind of super depressed in New York. It just had this vibe of 'Get out,' you know? I would try to get out, and we'd look back and just see the city and feel like, 'Oh, I have to go back to prison again.'
I opened up my mind as far as playing music. I was at a Cody Chesnutt concert a few years ago, and a friend introduced me to him. We just started talking about music, and he asked me what I did. I said, "I have these songs and I'm kind of nervous to put them out, because I've just kind of been playing blues stuff, and playing other people's songs." He said, "You should just put them out there, man. Why not? It's just gonna bother you if you don't. The easiest thing to do is to just let it go." So I just took that with me.
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