A Quote by Patrick Reed

Every player has to figure out what works best for them. So yes, I like the way I work, and if that gives me a competitive edge, that's great and if it doesn't that's okay too. — © Patrick Reed
Every player has to figure out what works best for them. So yes, I like the way I work, and if that gives me a competitive edge, that's great and if it doesn't that's okay too.
Maybe we all just exist, all versions of us exist at times, and we have to figure out a way to get to each of them, to find each one and tell that version that it's okay, that it's all justthe way it works, a concept too powerful to ignore but too complicated to explain.
If you do television, and it's great, it's the best job there is. Every week it's another opportunity to really make that work and figure out how to make it work better. I love that it's like theater too, and the audience, and it's so short, like twenty minutes... It's like a Haiku or something.
I don't like any tape on my body, so I'm just trying to figure out what works best for me mentally, and for my wrist as well. We have to try and tape my wrist a different way every single practice to find a way.
When you stand out there," John continues in a hoarse voice, "keep your chin up, all right? Don't let them get to you." "I won't." "Make them work for it. Punch someone if you have to." John gives me a sad, crooked smile. "You're a scary kid. So scare them. Okay? All the way until the end." For the first time in a long time, I feel like a little brother. I have to swallow hard to keep my eyes dry. "Okay," I whisper.
I'm not a great student, so I don't know that I would have been a great detective. Part of my brain sort of works that way, like wanting to figure out puzzles and figure out what happened and why people do the things they do and who they are and how it happened.
People always lean toward who's the best guitar player, who's the best singer? I don't see it that way. They're all the best, you know? They've all gotten your attention, you've admired them, you've tried to sing like them. That makes them the best, each and every one of 'em.
I wouldn't say I'm the best player. On the competitive level, I am the best competitor. I don't think there's anybody like me. I play my heart out on both ends of the floor, and I give my all.
I do consider myself a competitive person, but I'm not competitive to the point where I will do anything to win. I wouldn't step on somebody just to get to the next level. I would have to do it fair and square. I'm kind of competitive in a way to where I like to figure out things myself, and if I need help, I'll ask.
Yes, I think it's okay to abandon the big, established, stuck tribe. It's okay to say to them, "You're not going where I need to go, and there's no way I'm going to persuade all of you to follow me. So rather than standing here watching the opportunities fade away, I'm heading off. I'm betting some of you, the best of you, will follow me.
Over the years, I have really figured out what works for me. It's not about what anyone else is doing. I can't worry about whether I am doing everything that another player is doing, which can be hard sometimes. I have to trust my training and know my body and figure out what will get the best out of me.
Every single sport works out your body in a different way, and you can almost point out their bodies - like, that's a swimmer, that's a football player.
Everything in life is about timing. I've been able to have my experiences and learn from them and kind of figure out the thing that works for me and is best for me, and that's all I can really say.
My training and ballet background definitely gives me the competitive edge on the ice.
Who doesn't think that they're the best? I've put in the work and time just like everybody else. So, yes, I do believe I'm the best player.
When first starting to work with someone you try to get them in the same mindset that you were in when you were successful, and I realized the best thing you can ever do is realize that they are not you. They have a different persona and mindset, and you have to figure out what works best within your communication with that athlete.
When I make films I'm very intuitive; I'm instinctive. When you are shooting there's little time to think about abstract ideas, it's about getting things done, getting them right, and trying to channel the energies and get the best of whatever you have on your set. It's only once the film is finished that it's like, "Okay, let's try to figure out what happened." Try to figure out exactly what I did.
This site uses cookies to ensure you get the best experience. More info...
Got it!